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    Contents
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        Charlotte Bentley
        
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Abbreviations vii
- Introduction 1
- 1 “Un théâtre est une machine difficile à mouvoir” Developing a Transatlantic Cultural Institution 20
- 2 Transatlantic Production and Transatlantic Reception: Positioning New Orleans through Grand Opéra 54
- 3 Audiences and Publics: Opera in the Sociocultural Fabric of New Orleans 78
- 4 Opera’s Material Culture and the Creation of Global Intimacy 103
- 5 Reimagining New Orleans in Operatic Travelogues 138
- Epilogue. From the Transatlantic to the Global: Beyond the Théâtre d’Orléans 166
- Acknowledgments 171
- Author’s Note 173
- Appendix 1 Théâtre d’Orléans Pro Forma Contract 175
- Notes 185
- Bibliography 231
- Index 251
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Abbreviations vii
- Introduction 1
- 1 “Un théâtre est une machine difficile à mouvoir” Developing a Transatlantic Cultural Institution 20
- 2 Transatlantic Production and Transatlantic Reception: Positioning New Orleans through Grand Opéra 54
- 3 Audiences and Publics: Opera in the Sociocultural Fabric of New Orleans 78
- 4 Opera’s Material Culture and the Creation of Global Intimacy 103
- 5 Reimagining New Orleans in Operatic Travelogues 138
- Epilogue. From the Transatlantic to the Global: Beyond the Théâtre d’Orléans 166
- Acknowledgments 171
- Author’s Note 173
- Appendix 1 Théâtre d’Orléans Pro Forma Contract 175
- Notes 185
- Bibliography 231
- Index 251