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4. “A Political Struwwelpeter?” John Heartfield’s Early Film Animation and the Wartime Crisis of Photographic Representation: 1917–1918
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1/ The Photograph and the Punch: 1891–1914 13
- 2. Postcards to the Front and the Road toward Photomontage: 1915–1916 39
- 3. Heartfield the Performance: 1914–1917 65
- 4. “A Political Struwwelpeter?” John Heartfield’s Early Film Animation and the Wartime Crisis of Photographic Representation: 1917–1918 95
- 5. A Spectacular Reflection: Heartfield’s Return to Photomontage and Berlin’s Postwar Dada Movement: 1918–1920 137
- 6. From the Shop Window to the Book Cover: 1920–1929 181
- Epilogue: The Artist of German Communism: 1926–1933 235
- Notes 243
- Bibliography 281
- Index 297
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1/ The Photograph and the Punch: 1891–1914 13
- 2. Postcards to the Front and the Road toward Photomontage: 1915–1916 39
- 3. Heartfield the Performance: 1914–1917 65
- 4. “A Political Struwwelpeter?” John Heartfield’s Early Film Animation and the Wartime Crisis of Photographic Representation: 1917–1918 95
- 5. A Spectacular Reflection: Heartfield’s Return to Photomontage and Berlin’s Postwar Dada Movement: 1918–1920 137
- 6. From the Shop Window to the Book Cover: 1920–1929 181
- Epilogue: The Artist of German Communism: 1926–1933 235
- Notes 243
- Bibliography 281
- Index 297
