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Epilogue: The Artist of German Communism: 1926–1933

© 2019 University of Chicago Press

© 2019 University of Chicago Press

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Introduction 1
  5. 1/ The Photograph and the Punch: 1891–1914 13
  6. 2. Postcards to the Front and the Road toward Photomontage: 1915–1916 39
  7. 3. Heartfield the Performance: 1914–1917 65
  8. 4. “A Political Struwwelpeter?” John Heartfield’s Early Film Animation and the Wartime Crisis of Photographic Representation: 1917–1918 95
  9. 5. A Spectacular Reflection: Heartfield’s Return to Photomontage and Berlin’s Postwar Dada Movement: 1918–1920 137
  10. 6. From the Shop Window to the Book Cover: 1920–1929 181
  11. Epilogue: The Artist of German Communism: 1926–1933 235
  12. Notes 243
  13. Bibliography 281
  14. Index 297
John Heartfield and the Agitated Image
This chapter is in the book John Heartfield and the Agitated Image
https://doi.org/10.7208/9780226981789-009

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Introduction 1
  5. 1/ The Photograph and the Punch: 1891–1914 13
  6. 2. Postcards to the Front and the Road toward Photomontage: 1915–1916 39
  7. 3. Heartfield the Performance: 1914–1917 65
  8. 4. “A Political Struwwelpeter?” John Heartfield’s Early Film Animation and the Wartime Crisis of Photographic Representation: 1917–1918 95
  9. 5. A Spectacular Reflection: Heartfield’s Return to Photomontage and Berlin’s Postwar Dada Movement: 1918–1920 137
  10. 6. From the Shop Window to the Book Cover: 1920–1929 181
  11. Epilogue: The Artist of German Communism: 1926–1933 235
  12. Notes 243
  13. Bibliography 281
  14. Index 297
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