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University of Delaware Press
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4. The Anonymous Quixote? Sarah Green, the Popular Novel(ist), and Posterity
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Reading, Writing, and Tilting at Windmills: The Woman Writer and the Female Quixote 1
- 1. The Model Quixote: Charlotte Lennox’s The Female Quixote 27
- 2. The Defiant Quixote: Lady Mary Wortley Montagu, Manuscript Romance, and the Market for Mid- Century Fiction 49
- 3. The Instructive Quixote: Maria Edgeworth, Affective Reading, and the Limits of Didactic Writing 74
- 4. The Anonymous Quixote? Sarah Green, the Popular Novel(ist), and Posterity 104
- 5. The Engaged Quixote: Jane Austen’s Northanger Abbey 132
- Epilogue: Screening Female Quixotism: Janeite Fangirls and the Persistence of White, Heteropatriarchal Power 151
- Notes 163
- Bibliography 221
- Index 243
- About the Author 253
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Reading, Writing, and Tilting at Windmills: The Woman Writer and the Female Quixote 1
- 1. The Model Quixote: Charlotte Lennox’s The Female Quixote 27
- 2. The Defiant Quixote: Lady Mary Wortley Montagu, Manuscript Romance, and the Market for Mid- Century Fiction 49
- 3. The Instructive Quixote: Maria Edgeworth, Affective Reading, and the Limits of Didactic Writing 74
- 4. The Anonymous Quixote? Sarah Green, the Popular Novel(ist), and Posterity 104
- 5. The Engaged Quixote: Jane Austen’s Northanger Abbey 132
- Epilogue: Screening Female Quixotism: Janeite Fangirls and the Persistence of White, Heteropatriarchal Power 151
- Notes 163
- Bibliography 221
- Index 243
- About the Author 253