This publication is presented to you through Paradigm Publishing Services
University of Delaware Press
Chapter
Licensed
Unlicensed
Requires Authentication
Notes
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Reading, Writing, and Tilting at Windmills: The Woman Writer and the Female Quixote 1
- 1. The Model Quixote: Charlotte Lennox’s The Female Quixote 27
- 2. The Defiant Quixote: Lady Mary Wortley Montagu, Manuscript Romance, and the Market for Mid- Century Fiction 49
- 3. The Instructive Quixote: Maria Edgeworth, Affective Reading, and the Limits of Didactic Writing 74
- 4. The Anonymous Quixote? Sarah Green, the Popular Novel(ist), and Posterity 104
- 5. The Engaged Quixote: Jane Austen’s Northanger Abbey 132
- Epilogue: Screening Female Quixotism: Janeite Fangirls and the Persistence of White, Heteropatriarchal Power 151
- Notes 163
- Bibliography 221
- Index 243
- About the Author 253
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Reading, Writing, and Tilting at Windmills: The Woman Writer and the Female Quixote 1
- 1. The Model Quixote: Charlotte Lennox’s The Female Quixote 27
- 2. The Defiant Quixote: Lady Mary Wortley Montagu, Manuscript Romance, and the Market for Mid- Century Fiction 49
- 3. The Instructive Quixote: Maria Edgeworth, Affective Reading, and the Limits of Didactic Writing 74
- 4. The Anonymous Quixote? Sarah Green, the Popular Novel(ist), and Posterity 104
- 5. The Engaged Quixote: Jane Austen’s Northanger Abbey 132
- Epilogue: Screening Female Quixotism: Janeite Fangirls and the Persistence of White, Heteropatriarchal Power 151
- Notes 163
- Bibliography 221
- Index 243
- About the Author 253