8 Street Theatre and Subject Formation in Wartime China: Origins of a New Public Art

Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Illustrations ix
4. Chronology: Comintern Aesthetics – Between Politics and Culture xiii
5. Editors’ Note xxiii
6. Introduction: Comintern Aesthetics – Space, Form, History 1
7. Part One. Space: Geopoetics, Networks, Translation
8. 1 World Literature as World Revolution: Velimir Khlebnikov’s Zangezi and the Utopian Geopoetics of the Russian Avant-Garde 31
9. 2 Berlin–Moscow–Shanghai: Translating Revolution across Cultures in the Aftermath of the 1927 Shanghai Debacle 81
10. 3 India–England–Russia: The Comintern Translated 109
11. 4 Seeing the World Anew: Soviet Cinema and the Reorganization of 1930s Spanish Film Culture 133
12. 5 The Panorama and the Pilgrimage: Brazilian Modernism, the Masses, and the Soviet Union in the 1930s 170
13. 6 Polycentric Cosmopolitans: Writing World Literature in Indonesia and Vietnam, 1920s to 1950s and Beyond 199
14. Part Two. Form: Beyond Realism-versus-Modernism and Art-versus-Propaganda
15. 7 Culture One and a Half 227
16. 8 Street Theatre and Subject Formation in Wartime China: Origins of a New Public Art 255
17. 9 In the Shadow of the Inquisition: The Spanish Civil War in Yiddish Poetry 281
18. 10 “Beaten, but Unbeatable”: On Langston Hughes’s Black Leninism 313
19. 11 A Comintern Aesthetics of Anti-racism in the Animated Short Film Blek end uait 352
20. Part Three. History: Beyond the Interwar Years – Afterlives of Comintern Aesthetics
21. 12 The Revolutionary Romanticism of Alice Childress’s “Conversations from Life” 391
22. 13 When Comintern and Cominform Aesthetics Meet: Socialist Realism in Eastern Europe, 1956 and Beyond 420
23. 14 Visions of the Future: Soviet Art, Architecture, and Film during and after the Comintern Years 449
24. 15 Comintern Media Experiments, Leftist Exile, and World Literature from East Berlin 474
25. 16 Workers of the World, Unite! 505
26. Coda 529
27. Contributors 537
28. Index 541