University of Toronto Press
Comintern Aesthetics
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Edited by:
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About this book
Comintern Aesthetics shows how the cultural and political networks emerging from the Comintern have continued, even after its demise in 1943.
Author / Editor information
Amelia M. Glaser is Associate Professor of Russian and Comparative Literature at the University of California, San Diego.
Lee Steven S. :
Steven S. Lee is Associate Professor of English at the University of California, Berkeley.
Reviews
"Important and timely, Comintern Aesthetics draws attention to global aesthetic connections and sensibilities inspired and fostered by the Communist utopia, with its ideas of liberation, decolonization, and self-government. This volume will generate a long overdue discussion of the historical legacy of Communism that is not overdetermined by the idioms and assumptions of the Cold War."
Bill Mullen, Department of English, Purdue University:
"Comintern Aesthetics is a brilliant collection that will immediately become a definitive work on the subject. The book is the first ever global study of Comintern aesthetics and is full of critical surprises, insights, and innovations. The geographic scope of the book, from Southeast Asia to Central Europe, is truly dazzling."
Topics
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Frontmatter
i -
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Contents
v -
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Illustrations
ix -
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Chronology: Comintern Aesthetics – Between Politics and Culture
xiii -
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Editors’ Note
xxiii -
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Introduction: Comintern Aesthetics – Space, Form, History
1 - Part One. Space: Geopoetics, Networks, Translation
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1 World Literature as World Revolution: Velimir Khlebnikov’s Zangezi and the Utopian Geopoetics of the Russian Avant-Garde
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2 Berlin–Moscow–Shanghai: Translating Revolution across Cultures in the Aftermath of the 1927 Shanghai Debacle
81 -
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3 India–England–Russia: The Comintern Translated
109 -
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4 Seeing the World Anew: Soviet Cinema and the Reorganization of 1930s Spanish Film Culture
133 -
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5 The Panorama and the Pilgrimage: Brazilian Modernism, the Masses, and the Soviet Union in the 1930s
170 -
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6 Polycentric Cosmopolitans: Writing World Literature in Indonesia and Vietnam, 1920s to 1950s and Beyond
199 - Part Two. Form: Beyond Realism-versus-Modernism and Art-versus-Propaganda
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7 Culture One and a Half
227 -
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8 Street Theatre and Subject Formation in Wartime China: Origins of a New Public Art
255 -
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9 In the Shadow of the Inquisition: The Spanish Civil War in Yiddish Poetry
281 -
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10 “Beaten, but Unbeatable”: On Langston Hughes’s Black Leninism
313 -
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11 A Comintern Aesthetics of Anti-racism in the Animated Short Film Blek end uait
352 - Part Three. History: Beyond the Interwar Years – Afterlives of Comintern Aesthetics
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12 The Revolutionary Romanticism of Alice Childress’s “Conversations from Life”
391 -
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13 When Comintern and Cominform Aesthetics Meet: Socialist Realism in Eastern Europe, 1956 and Beyond
420 -
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14 Visions of the Future: Soviet Art, Architecture, and Film during and after the Comintern Years
449 -
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15 Comintern Media Experiments, Leftist Exile, and World Literature from East Berlin
474 -
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16 Workers of the World, Unite!
505 -
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Coda
529 -
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Contributors
537 -
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Index
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