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        40. She Do the Ring in Different Voices
- 
            
            
        Richard Taruskin
        
 
                                    
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                                            Kapitel in diesem Buch
- Frontmatter i
 - Contents vii
 - Preface: Against Utopia ix
 - 1. Et in Arcadia Ego Or, I Didn’t Know I Was Such a Pessimist until I Wrote This Thing 1
 - 2. Only Time Will Cover the Taint 21
 - 3. “Nationalism”: Colonialism in Disguise? 25
 - 4. Why Do They All Hate Horowitz? 30
 - 5. Optimism amid the Rubble 37
 - 6. A Survivor from the Teutonic Train Wreck 43
 - 7. Does Nature Call the Tune? 46
 - 8. Two Stabs at the Universe 51
 - 9. In Search of the “Good” Hindemith Legacy 60
 - 10. Six Times Six: A Bach Suite Selection 66
 - 11. A Beethoven Season? 71
 - 12. Dispelling the Contagious Wagnerian Mist 81
 - 13. How Talented Composers Become Useless 86
 - 14. Making a Stand against Sterility 94
 - 15. A Sturdy Musical Bridge to the Twenty-first Century 98
 - 16. Calling All Pundits: No More Predictions! 104
 - 17. In The Rake’s Progress, Love Conquers (Almost) All 109
 - 18. Markevitch as Icarus 118
 - 19. Let’s Rescue Poor Schumann from His Rescuers 124
 - 20. Early Music: Truly Old-Fashioned at Last? 129
 - 21. Bartók and Stravinsky: Odd Couple Reunited? 133
 - 22. Wagner’s Antichrist Crashes a Pagan Party 138
 - 23. A Surrealist Composer Comes to the Rescue of Modernism 144
 - 24. Corraling a Herd of Musical Mavericks 153
 - 25. Can We Give Poor Orff a Pass at Last? 161
 - 26. The Danger of Music and the Case for Control 168
 - 27. Ezra Pound: A Slim Sound Claim to Musical Immortality 181
 - 28. Underneath the Dissonance Beat a Brahmsian Heart 186
 - 29. Enter Boris Goudenow, Just 295 Years Late 191
 - 30. The First Modernist 195
 - 31. The Dark Side of the Moon 202
 - 32. Of Kings and Divas 217
 - 33. The Golden Age of Kitsch 241
 - 34. No Ear for Music: The Scary Purity of John Cage 261
 - 35. Sacred Entertainments 280
 - 36. The Poietic Fallacy 301
 - 37. The Musical Mystique: Defending Classical Music against Its Devotees 330
 - 38. Revising Revision 354
 - 39. Back to Whom? Neoclassicism as Ideology 382
 - 40. She Do the Ring in Different Voices 406
 - 41. Stravinsky and Us 420
 - 42. Setting Limits (a talk) 447
 - Index 467
 
Kapitel in diesem Buch
- Frontmatter i
 - Contents vii
 - Preface: Against Utopia ix
 - 1. Et in Arcadia Ego Or, I Didn’t Know I Was Such a Pessimist until I Wrote This Thing 1
 - 2. Only Time Will Cover the Taint 21
 - 3. “Nationalism”: Colonialism in Disguise? 25
 - 4. Why Do They All Hate Horowitz? 30
 - 5. Optimism amid the Rubble 37
 - 6. A Survivor from the Teutonic Train Wreck 43
 - 7. Does Nature Call the Tune? 46
 - 8. Two Stabs at the Universe 51
 - 9. In Search of the “Good” Hindemith Legacy 60
 - 10. Six Times Six: A Bach Suite Selection 66
 - 11. A Beethoven Season? 71
 - 12. Dispelling the Contagious Wagnerian Mist 81
 - 13. How Talented Composers Become Useless 86
 - 14. Making a Stand against Sterility 94
 - 15. A Sturdy Musical Bridge to the Twenty-first Century 98
 - 16. Calling All Pundits: No More Predictions! 104
 - 17. In The Rake’s Progress, Love Conquers (Almost) All 109
 - 18. Markevitch as Icarus 118
 - 19. Let’s Rescue Poor Schumann from His Rescuers 124
 - 20. Early Music: Truly Old-Fashioned at Last? 129
 - 21. Bartók and Stravinsky: Odd Couple Reunited? 133
 - 22. Wagner’s Antichrist Crashes a Pagan Party 138
 - 23. A Surrealist Composer Comes to the Rescue of Modernism 144
 - 24. Corraling a Herd of Musical Mavericks 153
 - 25. Can We Give Poor Orff a Pass at Last? 161
 - 26. The Danger of Music and the Case for Control 168
 - 27. Ezra Pound: A Slim Sound Claim to Musical Immortality 181
 - 28. Underneath the Dissonance Beat a Brahmsian Heart 186
 - 29. Enter Boris Goudenow, Just 295 Years Late 191
 - 30. The First Modernist 195
 - 31. The Dark Side of the Moon 202
 - 32. Of Kings and Divas 217
 - 33. The Golden Age of Kitsch 241
 - 34. No Ear for Music: The Scary Purity of John Cage 261
 - 35. Sacred Entertainments 280
 - 36. The Poietic Fallacy 301
 - 37. The Musical Mystique: Defending Classical Music against Its Devotees 330
 - 38. Revising Revision 354
 - 39. Back to Whom? Neoclassicism as Ideology 382
 - 40. She Do the Ring in Different Voices 406
 - 41. Stravinsky and Us 420
 - 42. Setting Limits (a talk) 447
 - Index 467