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21. Bartók and Stravinsky: Odd Couple Reunited?
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Richard Taruskin
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface: Against Utopia ix
- 1. Et in Arcadia Ego Or, I Didn’t Know I Was Such a Pessimist until I Wrote This Thing 1
- 2. Only Time Will Cover the Taint 21
- 3. “Nationalism”: Colonialism in Disguise? 25
- 4. Why Do They All Hate Horowitz? 30
- 5. Optimism amid the Rubble 37
- 6. A Survivor from the Teutonic Train Wreck 43
- 7. Does Nature Call the Tune? 46
- 8. Two Stabs at the Universe 51
- 9. In Search of the “Good” Hindemith Legacy 60
- 10. Six Times Six: A Bach Suite Selection 66
- 11. A Beethoven Season? 71
- 12. Dispelling the Contagious Wagnerian Mist 81
- 13. How Talented Composers Become Useless 86
- 14. Making a Stand against Sterility 94
- 15. A Sturdy Musical Bridge to the Twenty-first Century 98
- 16. Calling All Pundits: No More Predictions! 104
- 17. In The Rake’s Progress, Love Conquers (Almost) All 109
- 18. Markevitch as Icarus 118
- 19. Let’s Rescue Poor Schumann from His Rescuers 124
- 20. Early Music: Truly Old-Fashioned at Last? 129
- 21. Bartók and Stravinsky: Odd Couple Reunited? 133
- 22. Wagner’s Antichrist Crashes a Pagan Party 138
- 23. A Surrealist Composer Comes to the Rescue of Modernism 144
- 24. Corraling a Herd of Musical Mavericks 153
- 25. Can We Give Poor Orff a Pass at Last? 161
- 26. The Danger of Music and the Case for Control 168
- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality 181
- 28. Underneath the Dissonance Beat a Brahmsian Heart 186
- 29. Enter Boris Goudenow, Just 295 Years Late 191
- 30. The First Modernist 195
- 31. The Dark Side of the Moon 202
- 32. Of Kings and Divas 217
- 33. The Golden Age of Kitsch 241
- 34. No Ear for Music: The Scary Purity of John Cage 261
- 35. Sacred Entertainments 280
- 36. The Poietic Fallacy 301
- 37. The Musical Mystique: Defending Classical Music against Its Devotees 330
- 38. Revising Revision 354
- 39. Back to Whom? Neoclassicism as Ideology 382
- 40. She Do the Ring in Different Voices 406
- 41. Stravinsky and Us 420
- 42. Setting Limits (a talk) 447
- Index 467
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface: Against Utopia ix
- 1. Et in Arcadia Ego Or, I Didn’t Know I Was Such a Pessimist until I Wrote This Thing 1
- 2. Only Time Will Cover the Taint 21
- 3. “Nationalism”: Colonialism in Disguise? 25
- 4. Why Do They All Hate Horowitz? 30
- 5. Optimism amid the Rubble 37
- 6. A Survivor from the Teutonic Train Wreck 43
- 7. Does Nature Call the Tune? 46
- 8. Two Stabs at the Universe 51
- 9. In Search of the “Good” Hindemith Legacy 60
- 10. Six Times Six: A Bach Suite Selection 66
- 11. A Beethoven Season? 71
- 12. Dispelling the Contagious Wagnerian Mist 81
- 13. How Talented Composers Become Useless 86
- 14. Making a Stand against Sterility 94
- 15. A Sturdy Musical Bridge to the Twenty-first Century 98
- 16. Calling All Pundits: No More Predictions! 104
- 17. In The Rake’s Progress, Love Conquers (Almost) All 109
- 18. Markevitch as Icarus 118
- 19. Let’s Rescue Poor Schumann from His Rescuers 124
- 20. Early Music: Truly Old-Fashioned at Last? 129
- 21. Bartók and Stravinsky: Odd Couple Reunited? 133
- 22. Wagner’s Antichrist Crashes a Pagan Party 138
- 23. A Surrealist Composer Comes to the Rescue of Modernism 144
- 24. Corraling a Herd of Musical Mavericks 153
- 25. Can We Give Poor Orff a Pass at Last? 161
- 26. The Danger of Music and the Case for Control 168
- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality 181
- 28. Underneath the Dissonance Beat a Brahmsian Heart 186
- 29. Enter Boris Goudenow, Just 295 Years Late 191
- 30. The First Modernist 195
- 31. The Dark Side of the Moon 202
- 32. Of Kings and Divas 217
- 33. The Golden Age of Kitsch 241
- 34. No Ear for Music: The Scary Purity of John Cage 261
- 35. Sacred Entertainments 280
- 36. The Poietic Fallacy 301
- 37. The Musical Mystique: Defending Classical Music against Its Devotees 330
- 38. Revising Revision 354
- 39. Back to Whom? Neoclassicism as Ideology 382
- 40. She Do the Ring in Different Voices 406
- 41. Stravinsky and Us 420
- 42. Setting Limits (a talk) 447
- Index 467