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35. Sacred Entertainments

  • Richard Taruskin
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© 2019 University of California Press, Berkeley

© 2019 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Preface: Against Utopia ix
  4. 1. Et in Arcadia Ego Or, I Didn’t Know I Was Such a Pessimist until I Wrote This Thing 1
  5. 2. Only Time Will Cover the Taint 21
  6. 3. “Nationalism”: Colonialism in Disguise? 25
  7. 4. Why Do They All Hate Horowitz? 30
  8. 5. Optimism amid the Rubble 37
  9. 6. A Survivor from the Teutonic Train Wreck 43
  10. 7. Does Nature Call the Tune? 46
  11. 8. Two Stabs at the Universe 51
  12. 9. In Search of the “Good” Hindemith Legacy 60
  13. 10. Six Times Six: A Bach Suite Selection 66
  14. 11. A Beethoven Season? 71
  15. 12. Dispelling the Contagious Wagnerian Mist 81
  16. 13. How Talented Composers Become Useless 86
  17. 14. Making a Stand against Sterility 94
  18. 15. A Sturdy Musical Bridge to the Twenty-first Century 98
  19. 16. Calling All Pundits: No More Predictions! 104
  20. 17. In The Rake’s Progress, Love Conquers (Almost) All 109
  21. 18. Markevitch as Icarus 118
  22. 19. Let’s Rescue Poor Schumann from His Rescuers 124
  23. 20. Early Music: Truly Old-Fashioned at Last? 129
  24. 21. Bartók and Stravinsky: Odd Couple Reunited? 133
  25. 22. Wagner’s Antichrist Crashes a Pagan Party 138
  26. 23. A Surrealist Composer Comes to the Rescue of Modernism 144
  27. 24. Corraling a Herd of Musical Mavericks 153
  28. 25. Can We Give Poor Orff a Pass at Last? 161
  29. 26. The Danger of Music and the Case for Control 168
  30. 27. Ezra Pound: A Slim Sound Claim to Musical Immortality 181
  31. 28. Underneath the Dissonance Beat a Brahmsian Heart 186
  32. 29. Enter Boris Goudenow, Just 295 Years Late 191
  33. 30. The First Modernist 195
  34. 31. The Dark Side of the Moon 202
  35. 32. Of Kings and Divas 217
  36. 33. The Golden Age of Kitsch 241
  37. 34. No Ear for Music: The Scary Purity of John Cage 261
  38. 35. Sacred Entertainments 280
  39. 36. The Poietic Fallacy 301
  40. 37. The Musical Mystique: Defending Classical Music against Its Devotees 330
  41. 38. Revising Revision 354
  42. 39. Back to Whom? Neoclassicism as Ideology 382
  43. 40. She Do the Ring in Different Voices 406
  44. 41. Stravinsky and Us 420
  45. 42. Setting Limits (a talk) 447
  46. Index 467
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