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Thinking and Poetry
A Cross-Cultural Interpretation of the Existential Situation in Chinese and German Poetry from the Heideggerian Perspective
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Zhang Qingxiong
Published/Copyright:
May 28, 2019
Abstract
In Heidegger, “thinking” and “poetry” are inseparable, and the interpretation of poetry is an important approach for him to express his philosophical thinking. His phenomenological approach is a path to return to the things themselves, i.e, to see the facticity and understand the meaning of existence in the lived experience of existential situations. Themes such as “anxiety”, “alien”, “soul and Earth”, “words” can reveal the existential situations in Chinese and German poems through a cross-cultural interpretation from Heidegger’s perspective.
Published Online: 2019-05-28
Published in Print: 2019-05-27
© 2019 Walter de Gruyter GmbH, Berlin/Boston
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Articles in the same Issue
- Frontmatter
- Aesthetics and Life-World in German-Chinese Dialogue
- I: Kantian Aesthetics as a Starting Point – 从康德美学出发
- Symbolizing an Infinite World – Kant’s Analytic of Aesthetic Judgment, its Transcultural Dimension, and Jullien’s Critique of its Limits
- Aesthetic Cognition
- Aesthetic Ideality Versus Ontological Temporality
- Aesthetic Education in Confucius, Xunzi, and Kant
- Light is Space
- II: Aesthetics and Everyday Life – 美学和日常生活
- The Love of Beauty for the Good Life
- Art and Technology
- There Are More Things in (Life) World…
- The Rhythm of Action
- III: Living Aesthetics and Art – 生活美学和艺术
- Thinking and Poetry
- The Standard of Taste in David Hume’s Philosophy
- An Intercultural Interpretation on Heidegger’s Poet
- A Dreamed Form of Being
- Die Fadheit als Lebenskonzept in der chinesischen Kultur
- Information, Communication and Art
- IV: Aesthetics as Philosophy of Arts – 作为艺术哲学的美学
- Techné, Life-world, and Art
- Aesthetic Judgments and Their Cultural Grounding
- From Cézanne’s Doubt to Ai Weiwei’s Subversive Engagement
- Das Bild als Phänomen
- V: Varia and Miscellaneous – 杂文拾翠
- Perpetual Thriving
- Biobibliography
- Biobibliography
Articles in the same Issue
- Frontmatter
- Aesthetics and Life-World in German-Chinese Dialogue
- I: Kantian Aesthetics as a Starting Point – 从康德美学出发
- Symbolizing an Infinite World – Kant’s Analytic of Aesthetic Judgment, its Transcultural Dimension, and Jullien’s Critique of its Limits
- Aesthetic Cognition
- Aesthetic Ideality Versus Ontological Temporality
- Aesthetic Education in Confucius, Xunzi, and Kant
- Light is Space
- II: Aesthetics and Everyday Life – 美学和日常生活
- The Love of Beauty for the Good Life
- Art and Technology
- There Are More Things in (Life) World…
- The Rhythm of Action
- III: Living Aesthetics and Art – 生活美学和艺术
- Thinking and Poetry
- The Standard of Taste in David Hume’s Philosophy
- An Intercultural Interpretation on Heidegger’s Poet
- A Dreamed Form of Being
- Die Fadheit als Lebenskonzept in der chinesischen Kultur
- Information, Communication and Art
- IV: Aesthetics as Philosophy of Arts – 作为艺术哲学的美学
- Techné, Life-world, and Art
- Aesthetic Judgments and Their Cultural Grounding
- From Cézanne’s Doubt to Ai Weiwei’s Subversive Engagement
- Das Bild als Phänomen
- V: Varia and Miscellaneous – 杂文拾翠
- Perpetual Thriving
- Biobibliography
- Biobibliography
