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Art and Technology

Exploring the Aisthetic Dimensions of the Life-World
  • Yvonne Förster EMAIL logo
Published/Copyright: May 28, 2019

Abstract

The world we live in is shaped by technology and its development. This process is observed and debated in the humanities as well as in computer science and cognitive sciences. Narratives of human life being merged with and transcended by technology not only belong to science fiction but also to science: Theorists like Katherine Hayles or Mark B. N. Hansen speak of a technogenesis of consciousness. These accounts hold that our cognitive abilities are deeply influenced by technology and digital media. The digitalization of the lifeworld is a global phenomenon, which unfolds regardless of local cultures. It is art which seeks to explore the experiential aspects of technologically shaped life-worlds. In my contribution I will present examples of artworks which focus on the possibility of aesthetic experiences with new technologies and getting in touch with the so-called technological unconscious. I attempt to investigate the potential of art to unfold experiential aspects of human rapport with technology and thereby develop aisthetic practices for understanding the cultural and political dimensions of digitalized life-worlds.

Artworks

Nam Jun Paik, TV-Buddha, South Korea 1974Search in Google Scholar

Peter Garritano, The Internet, USA 2015Search in Google Scholar

Cécile B. Evans, What the Heart Wants, Belgium, USA 2016Search in Google Scholar

Movies

Ghost in the Shell (Japan 1995), Oshii MamoruSearch in Google Scholar

Matrix (USA, Australia 1999), Wachowski Andy and LaraSearch in Google Scholar

Minority Report (USA 2002), Steven SpielbergSearch in Google Scholar

Her (USA 2013), Spike JonzeSearch in Google Scholar

Transcendence (USA 2014), Wally PfisterSearch in Google Scholar

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Published Online: 2019-05-28
Published in Print: 2019-05-27

© 2019 Walter de Gruyter GmbH, Berlin/Boston

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