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The poetry of sound and the sound of poetry: Navajo poetry, phonological iconicity, and linguistic relativity

  • Anthony K. Webster EMAIL logo
Published/Copyright: July 15, 2015

Abstract

This article takes seriously Edward Sapir’s observation about poetry as an example of linguistic relativity. Taking my cue from Dwight Bolinger’s “word affinities,” this article reports on the ways sounds of poetry evoke and convoke imaginative possibilities through phonological iconicity. In working with Navajos in translating poetry, I have come to appreciate the sound suggestiveness of that poetry and the imaginative possibilities that are bound up in the sounds of Navajo. It seems that just such sound suggestiveness via phonological iconicity and the ways they orient our imaginations are a crucial locus for thinking through linguistic relativities.

Acknowledgement

*I want to thank the numerous Navajos – poet and non-poet alike – who have taken the time to talk with me about Navajo poetry and the Navajo language more generally. I especially thank Rex Lee Jim, Blackhorse Mitchell, Laura Tohe, Wesley Thomas, Damien Jones, Gloria Emerson, Martha Austin-Garrison, Sherwin Bitsui, and Orlando White for their insights. Research on the Navajo Nation was done under permits from the Historic Preservation Office. I thank them. I thank Aimee Hosemann, Barbra Meek, Luke Fleming, Tony Woodbury, Joel Sherzer, Polly Strong, Joyce McDonough, Paul Kockelman, Sean O’Neill and the late Brian Stross for comments on various topics taken up in this paper. Earlier versions of this paper were presented at the University of Texas at Austin and the University of Rochester. I thank those in attendance for useful comments and questions.

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Published Online: 2015-7-15
Published in Print: 2015-10-1

©2015 by De Gruyter Mouton

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