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Why semiotics, why poetry?
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Terry J. Prewitt
Veröffentlicht/Copyright:
28. August 2015
Abstract
Giambattista Vico’s philosophy foresaw a very postmodern sense of language, first as the underlying logical capacity for what Peirce called the symbolic argument, and second as a communication system per se. And in our view, much of these higher sign processes, especially in the everyday symbol use of human communication, is based in metaphor, very much in Vico’s notion of the term. This essay explores the dynamics of sign ordinary process through poetry, referencing also Vico’s synthesis of understanding and creativity, and the connection of poetry to the earliest Western philosophies.
References
Abram, David. 1997.The spell of the sensuous: Perception and language in a more-than-human world. New York: Vintage.Suche in Google Scholar
Danesi, Marcel. 1993. Vico, metaphor, and the origin of language. Bloomington, IN: Indiana University Press.Suche in Google Scholar
Golding, William. 1955.The inheritors. London: Faber and Faber.Suche in Google Scholar
Lévi-Strauss, Claude. 1955.Tristes tropiques. Paris: Librairie Plon.Suche in Google Scholar
Vico, Giambattista. 1984 [1725]. The new science of Giambattista Vico, T. G. Bergin & M. H. Fisch (trans.). Ithaca: Cornell University Press.10.7591/9781501702990Suche in Google Scholar
Published Online: 2015-8-28
Published in Print: 2015-10-1
©2015 by De Gruyter Mouton
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Artikel in diesem Heft
- Frontmatter
- Sports utility semiotics: A semantic differential study of symbolic potential in automobile design
- Making meaning in women’s spiritual autobiography: Language, materiality, and agency in colonial New Granada
- What is the proper characterization of the alphabet? VII: Sleight of hand
- Towards a semiotics of multilingualism
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- Mathematics and Peirce’s semiotic
- Icarus ignored: Riffaterre and Eagleton on Auden’s Musée des Beaux Arts
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- Kenneth L. Pike and science fiction
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- The machine or the garden: Semiotics and the American yard
- Photogénie as “the Other” of the semiotics of cinema: On Yuri Lotman’s concept of “the mythological”
- Who said it? Voices in news translation, from a semiotic perspective
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- How brands (don’t) do things: Corporate branding as practices of imagining “commens”
- Film space as mental space
- Netizen communicology: China daily and the Internet construction of group culture
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- Discourse analysis with Peirce? Making sense of discursive regularities: The case of online university prospectuses
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- To be continued: meaning-making in serialized manga as functional-multimodal narrative
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- Review article
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Artikel in diesem Heft
- Frontmatter
- Sports utility semiotics: A semantic differential study of symbolic potential in automobile design
- Making meaning in women’s spiritual autobiography: Language, materiality, and agency in colonial New Granada
- What is the proper characterization of the alphabet? VII: Sleight of hand
- Towards a semiotics of multilingualism
- In the arena: Communication between animals and Christians in damnatio ad bestias
- Dire l’indicible et décrire l’indescriptible: Ressources imagières et linguistiques des poilus
- Mathematics and Peirce’s semiotic
- Icarus ignored: Riffaterre and Eagleton on Auden’s Musée des Beaux Arts
- The “monster” of Seymour Avenue: Internet crime news and Gothic reportage in the case of Ariel Castro
- Kenneth L. Pike and science fiction
- Environmental communications: The reader’s perspective
- A Peircean typology of cultural prime symbols: Culture as category
- The poetry of sound and the sound of poetry: Navajo poetry, phonological iconicity, and linguistic relativity
- The language of fashion in postmodern society: A social semiotic perspective
- From Saussure to sociology and back to linguistics: Niklas Luhmann’s reception of signifiant/signifié and langue/parole as the basis for a model of language change
- The machine or the garden: Semiotics and the American yard
- Photogénie as “the Other” of the semiotics of cinema: On Yuri Lotman’s concept of “the mythological”
- Who said it? Voices in news translation, from a semiotic perspective
- Why semiotics, why poetry?
- How brands (don’t) do things: Corporate branding as practices of imagining “commens”
- Film space as mental space
- Netizen communicology: China daily and the Internet construction of group culture
- Questions toward a Peircean phenomenological description of association
- Colonial bodies: Slavery, wage-slavery, and the representation of race
- Discourse analysis with Peirce? Making sense of discursive regularities: The case of online university prospectuses
- Heidegger and the signs of history
- To be continued: meaning-making in serialized manga as functional-multimodal narrative
- Empiricism within the limits of postmodernism alone: On the emergence of the logically real within the multi-perspectival field
- Propaganda mala fide: Towards a comparative semiotics of violent religious persuasion
- Review article
- Peircean visual semiotics: Potentials to be explored
