Abstract
Not all religious proselytizing is conducive to violence, yet some is, and adopts specific words, images, sounds, and other signs in order to convey its message. Defying frontiers among historical epochs, confessions, and disciplines, the essay develops a cross-cultural, trans-historical, and comparative reading of violent religious propaganda, focusing on messages and media that promote radicalization and the consequent mission to defeat the enemy disbeliever. In particular, the essay puts the current phenomenon of jihadist online propaganda into historical and comparative perspective.
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Articles in the same Issue
- Frontmatter
- Sports utility semiotics: A semantic differential study of symbolic potential in automobile design
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- Towards a semiotics of multilingualism
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- Dire l’indicible et décrire l’indescriptible: Ressources imagières et linguistiques des poilus
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- Frontmatter
- Sports utility semiotics: A semantic differential study of symbolic potential in automobile design
- Making meaning in women’s spiritual autobiography: Language, materiality, and agency in colonial New Granada
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- Towards a semiotics of multilingualism
- In the arena: Communication between animals and Christians in damnatio ad bestias
- Dire l’indicible et décrire l’indescriptible: Ressources imagières et linguistiques des poilus
- Mathematics and Peirce’s semiotic
- Icarus ignored: Riffaterre and Eagleton on Auden’s Musée des Beaux Arts
- The “monster” of Seymour Avenue: Internet crime news and Gothic reportage in the case of Ariel Castro
- Kenneth L. Pike and science fiction
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- A Peircean typology of cultural prime symbols: Culture as category
- The poetry of sound and the sound of poetry: Navajo poetry, phonological iconicity, and linguistic relativity
- The language of fashion in postmodern society: A social semiotic perspective
- From Saussure to sociology and back to linguistics: Niklas Luhmann’s reception of signifiant/signifié and langue/parole as the basis for a model of language change
- The machine or the garden: Semiotics and the American yard
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- Who said it? Voices in news translation, from a semiotic perspective
- Why semiotics, why poetry?
- How brands (don’t) do things: Corporate branding as practices of imagining “commens”
- Film space as mental space
- Netizen communicology: China daily and the Internet construction of group culture
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