The “monster” of Seymour Avenue: Internet crime news and Gothic reportage in the case of Ariel Castro
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Michael Arntfield
Abstract
While American media reportage of heinous crimes has long drawn on Gothic iconography to secure readers, the contemporary digital news market has engendered a trend in crime reporting that transparently imparts the conventions of Victorian horror, and by extension the nineteenth-century American Gothic. Employing a semiotic content analysis of Internet news stories (n=240) detailing the case of convicted serial kidnapper, rapist, and murderer Ariel Castro, this paper situates online narratives of his arrest as the distillate of Gothic fiction in earnest. This analysis includes a critical overview of digital journalism’s liberal and recurring use of the genre’s literary archetypes and physical forms. This paper also addresses the broader sociocultural consequences of this trend on due process and credible criminological research.
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©2015 by De Gruyter Mouton
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Articles in the same Issue
- Frontmatter
- Sports utility semiotics: A semantic differential study of symbolic potential in automobile design
- Making meaning in women’s spiritual autobiography: Language, materiality, and agency in colonial New Granada
- What is the proper characterization of the alphabet? VII: Sleight of hand
- Towards a semiotics of multilingualism
- In the arena: Communication between animals and Christians in damnatio ad bestias
- Dire l’indicible et décrire l’indescriptible: Ressources imagières et linguistiques des poilus
- Mathematics and Peirce’s semiotic
- Icarus ignored: Riffaterre and Eagleton on Auden’s Musée des Beaux Arts
- The “monster” of Seymour Avenue: Internet crime news and Gothic reportage in the case of Ariel Castro
- Kenneth L. Pike and science fiction
- Environmental communications: The reader’s perspective
- A Peircean typology of cultural prime symbols: Culture as category
- The poetry of sound and the sound of poetry: Navajo poetry, phonological iconicity, and linguistic relativity
- The language of fashion in postmodern society: A social semiotic perspective
- From Saussure to sociology and back to linguistics: Niklas Luhmann’s reception of signifiant/signifié and langue/parole as the basis for a model of language change
- The machine or the garden: Semiotics and the American yard
- Photogénie as “the Other” of the semiotics of cinema: On Yuri Lotman’s concept of “the mythological”
- Who said it? Voices in news translation, from a semiotic perspective
- Why semiotics, why poetry?
- How brands (don’t) do things: Corporate branding as practices of imagining “commens”
- Film space as mental space
- Netizen communicology: China daily and the Internet construction of group culture
- Questions toward a Peircean phenomenological description of association
- Colonial bodies: Slavery, wage-slavery, and the representation of race
- Discourse analysis with Peirce? Making sense of discursive regularities: The case of online university prospectuses
- Heidegger and the signs of history
- To be continued: meaning-making in serialized manga as functional-multimodal narrative
- Empiricism within the limits of postmodernism alone: On the emergence of the logically real within the multi-perspectival field
- Propaganda mala fide: Towards a comparative semiotics of violent religious persuasion
- Review article
- Peircean visual semiotics: Potentials to be explored
