Reframing Magna Carta – Comprehensive Planning and Pragmatic Outcomes
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Paul Garside
Paul Garside studied chemistry at the University of Southampton, where he remained to carry out research for a PhD investigating the properties of natural polymer fibres, which was awarded in 2002. He subsequently joined the Textile Conservation Centre as Research Fellow in Conservation Science, with a particular interest in plant fibres and weighted silks; he also taught the conservation science component of the Centre’s MA course in textile conservation. In 2009 he joined the British Library as Conservation Scientist., Cordelia Rogerson
Cordelia Rogerson has been Head of Conservation at the British Library since 2009, leading a team of 40 specialists to care for the library collection of 150 million items. She gained a BA in Art History from Manchester University and trained initially as a textile conservator at the Textile Conservation Centre. Cordelia worked as a practising textile conservator, researcher and lecturer for 10 years, latterly at the University of Southampton whilst employed by the Textile Conservation Centre. She gained a PhD from the Royal College of Art in plastics conservation and initially joined the British Library as modern materials conservator.Gavin Moorhead has worked as a conservator for 23 years and acquired extensive experience helping preserve a wide range of cultural heritage. He was trained in book and paper conservation at the State Library of Victoria and worked there for seven years. He spent two years at the Victoria & Albert Museum before finally joining the Conservation Department at the British Library in 2001. His contribution to collection care at the British Library comprises work on early manuscripts, parchment charters and rare books, including some of the world’s most iconic artefacts such as the Codex Sinaiticus and Magna Carta.Kumiko Matsuoka studied Fine Art at Camberwell School of Art and Byam Shaw School of Art. After graduation she studied bookbinding and conservation at London College of Printing, and Chemistry and Physics at the Open University (obtaining a BSc and Analytical Chemistry MSc at Birkbeck). She joined the BL’s India Office Library and Records in 1986, moving to the Oriental Collection Conservation Studio in 1990. From 1996 her involvement with exhibitions and loans began, and in 2000 became exhibitions and loans coordinator, as well as studio manager and International Dunhuang Project digitisation project conservation manager. Since 1998 she worked extensively on both Eastern and Western manuscripts and printed books. From 2011 to 2015 she was environmental monitoring manager.Christina Duffy is the British Library’s Imaging Scientist. She graduated with a degree in Physics with Astronomy from Dublin City University in 2007 before achieving a PhD from Imperial College London on Meteoritics and Planetary Science in 2011. She specialises in digital microscopy, multispectral imaging and image processing techniques. Recent major projects have included recovery of faded text from Magna Carta and a CT analysis of the St Cuthbert Gospel binding.
Abstract
In preparation for the British Library’s exhibition to mark 800 years of Magna Carta, the Library’s copies of the charter, and three related documents, were reframed. There were several requirements: minimal intervention; allow re-treatability; fully show rectos and text; present the charters as documents rather than artworks. Comprehensive risk assessments and work plans determined appropriate working methods, display angles, mounting techniques and materials, taking into account the particular features of each charter, including seals, ribbons and seal bags. Frames from commercial manufacturers were considered, and a selection made on several criteria: security, accessibility, environment, aesthetics and versatility. This project has demonstrated how a sophisticated and comprehensive initial assessment allowed a relatively simple but demonstrably appropriate solution to be implemented, using well established and understood materials and methods. This provided secure and sympathetic frames for the six documents, catering for the specific requirements of each item, and also allowed versatility should requirements change in future. We worked closely with other stakeholders, and were able to argue for the best outcomes for the objects themselves, demonstrating that high profile objects do not necessarily require expensive, “high-tech” solutions. Thorough planning and preparation ensured the reframing was completed within time and under budget.
Zusammenfassung
Die Neurahmung der Magna Carta – Allgemeine Organisation und das Ergebnis einer pragmatischen Abwägung
In Vorbereitung für eine Ausstellung der British Library zum 800. Jahrestag der Magna Carta wurden die in der Bibliothek aufbewahrten Exemplare und drei dazugehörige Objekte neu gerahmt. Es gab mehrere Vorgaben: minimal invasiv; weitere Behandlungen sollen möglich bleiben; volle Sichtbarkeit der Vorder- und Rückseiten; Präsentation der Urkunden als historische Dokumente und nicht als Kunstwerke. Eine umfassende Risikoanalyse und Arbeitsplanung wurden durchgeführt und entsprechende Arbeitsmethoden wurden definiert: Neigung der Objekte in der Ausstellung, Montierungstechniken und Materialien unter Beachtung der besonderen Eigenschaften jeder einzelnen Urkunde, unter anderem Siegel, deren Bänder und Aufbewahrung.
Es wurden Rahmen von kommerziellen Anbietern in Betracht gezogen und eine Auswahl gemäß der folgenden Kriterien getroffen: Sicherheit, Zugänglichkeit, Umgebung, Ästhetik und Vielseitigkeit. Dieses Projekt zeigte, wie nach einer vielschichtigen und umfassenden Eingangsbeurteilung eine vergleichsweise einfache, aber nachweisbar angemessene Lösung umgesetzt wurde, bei der gut eingeführte und bekannte Materialien und Methoden verwendet werden konnten. Dieser Ansatz beinhaltet sichere und passende Rahmen für die sechs Dokumente, die den speziellen Anforderungen dieser Objekte Genüge tragen und gleichzeitig flexibel sind, falls zukünftig eine andere Lösung gefordert sein sollte. Wir haben eng mit anderen Interessensvertretern zusammengearbeitet und waren in der Lage, die beste Lösung für die Objekte zu finden. Dabei konnten wir zeigen, dass hochrangige Objekte nicht notwendigerweise auch kostspielige „high-tech” Lösungen erfordern. Mit gründlicher Planung und Vorbereitung konnten wir sicherstellen, dass die Neurahmung innerhalb des finanziellen und zeitlichen Rahmens blieb.
Résumé
Ré-encadrement de la Magna Carta – Organisation générale et résultats pragmatiques
En vue de l’exposition à la British Library pour marquer les 800 ans de la Magna Carta, les copies de la charte possédées par la Bibliothèque ainsi que trois documents en lien avec le sujet ont été ré-encadrés. Il y avait plusieurs exigences: intervention minimale; réversibilité du traitement; montrer entièrement le recto et le verso; présenter les chartes comme des documents historiques plutôt que comme des œuvres d’art. Une évaluation générale des risques et des plans de travail ont permis de déterminer des méthodes de travail appropriées, des angles d’exposition, des techniques et des matériaux de montage en tenant compte des caractéristiques particulières de chaque charte, notamment la présence de sceaux, rubans et pochettes scellées. Des cadres de fabricants commerciaux ont été examinés et une sélection a été effectuée selon plusieurs critères: la sécurité, l’accessibilité, l’environnement, l’esthétique et la réversibilité. Ce projet a démontré comment une évaluation initiale élaborée et complète a permis de trouver une solution relativement simple à mettre en œuvre mais manifestement appropriée, en utilisant des matériaux et des méthodes reconnues et acceptées. Cela a conduit à utiliser des cadres sécurisés et adéquats pour les six documents, prenant en compte les besoins spécifiques de chaque élément, et permettant une certaine réversibilité – si les exigences venaient à changer à l’avenir. Nous avons travaillé en étroite collaboration avec d’autres intervenants et avons pu plaider en faveur des meilleurs résultats pour les objets eux-mêmes, démontrant que des objets de grande qualité n’ont pas nécessairement besoin de solutions « high tech » très chères. Une bonne organisation et une préparation minutieuse du projet ont permis d’assurer le ré-encadrement dans les temps et en desous du budget prévu.
About the authors
Paul Garside studied chemistry at the University of Southampton, where he remained to carry out research for a PhD investigating the properties of natural polymer fibres, which was awarded in 2002. He subsequently joined the Textile Conservation Centre as Research Fellow in Conservation Science, with a particular interest in plant fibres and weighted silks; he also taught the conservation science component of the Centre’s MA course in textile conservation. In 2009 he joined the British Library as Conservation Scientist.
Cordelia Rogerson has been Head of Conservation at the British Library since 2009, leading a team of 40 specialists to care for the library collection of 150 million items. She gained a BA in Art History from Manchester University and trained initially as a textile conservator at the Textile Conservation Centre. Cordelia worked as a practising textile conservator, researcher and lecturer for 10 years, latterly at the University of Southampton whilst employed by the Textile Conservation Centre. She gained a PhD from the Royal College of Art in plastics conservation and initially joined the British Library as modern materials conservator.
Gavin Moorhead has worked as a conservator for 23 years and acquired extensive experience helping preserve a wide range of cultural heritage. He was trained in book and paper conservation at the State Library of Victoria and worked there for seven years. He spent two years at the Victoria & Albert Museum before finally joining the Conservation Department at the British Library in 2001. His contribution to collection care at the British Library comprises work on early manuscripts, parchment charters and rare books, including some of the world’s most iconic artefacts such as the Codex Sinaiticus and Magna Carta.
Kumiko Matsuoka studied Fine Art at Camberwell School of Art and Byam Shaw School of Art. After graduation she studied bookbinding and conservation at London College of Printing, and Chemistry and Physics at the Open University (obtaining a BSc and Analytical Chemistry MSc at Birkbeck). She joined the BL’s India Office Library and Records in 1986, moving to the Oriental Collection Conservation Studio in 1990. From 1996 her involvement with exhibitions and loans began, and in 2000 became exhibitions and loans coordinator, as well as studio manager and International Dunhuang Project digitisation project conservation manager. Since 1998 she worked extensively on both Eastern and Western manuscripts and printed books. From 2011 to 2015 she was environmental monitoring manager.
Christina Duffy is the British Library’s Imaging Scientist. She graduated with a degree in Physics with Astronomy from Dublin City University in 2007 before achieving a PhD from Imperial College London on Meteoritics and Planetary Science in 2011. She specialises in digital microscopy, multispectral imaging and image processing techniques. Recent major projects have included recovery of faded text from Magna Carta and a CT analysis of the St Cuthbert Gospel binding.
Acknowledgements
The authors would like to thank their colleagues at the British Library whose assistance in the work that contributed to this paper was invaluable, in particular Julian Harrison, curator of pre-1600 manuscripts and books.
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©2016 by De Gruyter
Artikel in diesem Heft
- Frontmatter
- Editorial
- Conservation Treatment of Samuel Holland’s Map of St John’s Island, 1765
- XL to XXL: Seeking Solutions for Transport, Exhibition and Storage of Charles Le Brun’s Cartoons
- Honeycomb Panels for Treatment and Vertical Storage of Large Paper Objects
- Large Custom Mount for a Drawing on Tracing Paper
- A Mounting Support Construction for a Paper-Caché Bust
- Ronald by Franz West. Mounting of a Three-Dimensional Papier-mâché Object
- Peep Shows on Display: Mounting Paper Theatres for Exhibitions
- Mounting Fans – Don’t Get in a Flap
- The Viennese Croÿ Albums: Options and Decisions Leading to the Conservation and Remounting of a Convolute of Double-Sided Gouache Paintings on Parchment
- Of Earth and Sky: A Pair of Ming Hanging Scrolls, from Past Repairs to Present Conservation
- Reframing Magna Carta – Comprehensive Planning and Pragmatic Outcomes
Artikel in diesem Heft
- Frontmatter
- Editorial
- Conservation Treatment of Samuel Holland’s Map of St John’s Island, 1765
- XL to XXL: Seeking Solutions for Transport, Exhibition and Storage of Charles Le Brun’s Cartoons
- Honeycomb Panels for Treatment and Vertical Storage of Large Paper Objects
- Large Custom Mount for a Drawing on Tracing Paper
- A Mounting Support Construction for a Paper-Caché Bust
- Ronald by Franz West. Mounting of a Three-Dimensional Papier-mâché Object
- Peep Shows on Display: Mounting Paper Theatres for Exhibitions
- Mounting Fans – Don’t Get in a Flap
- The Viennese Croÿ Albums: Options and Decisions Leading to the Conservation and Remounting of a Convolute of Double-Sided Gouache Paintings on Parchment
- Of Earth and Sky: A Pair of Ming Hanging Scrolls, from Past Repairs to Present Conservation
- Reframing Magna Carta – Comprehensive Planning and Pragmatic Outcomes