Disappearing ink! Unraveling the fading of a contemporary design object
-
Gregory D. Smith
,
Victor J. Chen
Abstract
In 2009 the Indianapolis Museum of Art acquired Fernando Brizio’s contemporary ceramic, Painting a Fresco with GiottoGiotto Turbocolor Marker"?>#3, as part of its effort to grow a collection of modern and contemporary European design objects. The artwork comprises an unglazed white faience vase that has been pierced with 30 brightly colored felt-tip markers whose dried ink stains create a whimsical polka-dot surface. The vase immediately joined a traveling exhibition, and when it returned to the museum after nearly a year of display, many of the ink spots had faded dramatically, some having nearly vanished. Technical analysis was undertaken to (1) determine the cause of the fading and the composition of its Giotto brand Turbocolor markers, (2) to determine the future fading potential of the object, and (3) to suggest new safeguards to protect this and similar objects from future damage. Non-destructive analysis of the vase using Raman spectroscopy proved challenging due to the overall application of an acrylic varnish by the artist and the intense fluorescence of many of the marker inks. Using liquid chromatography with mass spectrometry on surrogate pens acquired in 2014, the 30 markers utilized in the object were ultimately determined to contain 9 primary synthetic dyes and numerous synthetic byproducts. The inks are comprised of food colorants, which accounts for their rapid fading. In situ microfade testing showed that the vase is still extremely light sensitive and will fade further under even the most stringent lighting protocols. An artist interview provided valuable information about Brizio‘s thoughts concerning the life of these objects, his working methods, and the interpretation of the Giotto series of ceramics. The artwork has since been deaccessioned from the museum’s collection but has taken on a new role in gallery didactics focused on the materials of modern design and the ephemeral and changing nature of some artworks. This project highlights the urgency of characterizing the fading rate of potentially light sensitive modern art or directly identifying the colorants used in contemporary artworks prior to their first exhibition.
Acknowledgements
The authors acknowledge the generous gift of the Alliance of the Indianapolis Museum of Art who funded the purchase of the artwork. Former design curator Mr R. Craig Miller is recognized for initially bringing the condition issues related to the vase to our attention. Surrogate Giotto Turbocolor markers were donated by the manufacturer F.I.L.A. Italia, and some powdered dyestuffs were generously provided by Abbey Color of Philadelphia. Eric Lubrick is thanked for his assistance in acquiring professional quality images of the artwork. Financial assistance was provided by the Carter Family Fund and the Frenzel Family Charitable Lead Trust. Mr Luke Gallion is acknowledged for his earlier work using TLC to separate the dye components of the Giotto brand markers. We appreciate the input and support of Newfields’ Associate Curator of Design and Decorative Arts, Shelly Selim. Finally, Mr Fernando Brizio is to be thanked for his thoughtful replies to our inquiries regarding the Giotto series and his willingness to let our experiences with his vase assist in the future preservation of contemporary art and design.
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Artikel in diesem Heft
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- Laser-induced breakdown spectroscopy in heritage science
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Artikel in diesem Heft
- Disappearing ink! Unraveling the fading of a contemporary design object
- Laser-induced breakdown spectroscopy in heritage science
- Mechanistic role of plant-based bitter principles and bitterness prediction for natural product studies I: Database and methods
- Homogeneous visible light mediated transition metal catalysis other than Ruthenium and Iridium
- Total reflection X-ray fluorescence
- Cheminformatics techniques in antimalarial drug discovery and development from natural products 1: basic concepts
