Abstract
From the second half of the last century onwards, the term ‘metalepsis’ has been in common use in the field of narratology, and has gradually found a place in literary criticism more broadly, to denote the transgression of diegetic boundaries, whether by the narrator or the narratee. The present article provides a thorough analysis of the metaleptic depiction of Bion provided by his anonymous eulogist at lines 58–63 of the Epitaph for Bion. This passage describes Galatea’s reaction to Bion’s demise, with the result that the dead poet, who sang of the Cyclops in fr. 16, himself assumes Polyphemus-like traits. However, the parallelism between the poet and his character proves to be imperfect, because the text hints at a past liaison, and describes Galatea’s newly acquired status as a shepherdess, thus presenting Bion as a successful lover, and, more importantly, one who has been successful precisely where the Cyclops failed. The key to reading this ‘antagonistic’ portrayal of Bion is provided by analysis of the hidden web of intertextual connections that lies beneath this passage (Theoc. Idd. 6, 11, Bion frr. 3, 16), which brings to the fore its strong poetological meaning, revealing it to be a poetic tribute through which the anonymous poet celebrates Bion’s achievements as both a bucolic and an amatory poet.
Acknowledgments
The present article represents the expanded version of a paper I gave in Edinburgh and Frankfurt. I would like to thank the audience for the positive discussion which in both cases followed my presentation, but my deepest gratitude goes to Massimo Di Marco, Marco Fantuzzi, Richard L. Hunter, Raymond Kania, Joseph D. Reed, Alexander Sens, and David Sider, who read and commented on early drafts of this work, and to the two anonymous readers of Philologus for their valuable suggestions.
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- Der medizinische Unterricht der Iatrosophisten in der ‚Schule von Alexandria‘ (5.‒7. Jh. n. Chr.): Überlegungen zu seiner Organisation, seinen Inhalten und seinen Ursprüngen (erster Teil)
- Melanthios von Rhodos in Apollodors Chronik (P.Herc. 10 21, col. XXXI)
- Oὐ γὰρ ἴσον Κύκλωπι μελίσδεο: Intertextuality, Metalepsis, and Eulogistic Strategies in EB 58–63
- Wie man eine Platonstelle deutet: Exegetische Strukturen im Mittelplatonismus
- Schiffbruch im Totenreich
- A Metaliterary Approach to Ursicinus’ Outburst (Amm. Marc. 20.2.4)
- “Libre à de plus audacieux de pousser plus loin la fidélité”: Traduire les passages obscènes dans la “Collection des Universités de France” entre 1920 et 1945
- Miszellen
- ‘Τείχισμα Πελαργικόν’: Notes on Callimachus frr. 97–97a Harder
- La metafora dei cavalli in Cercida 6(a) Lom.
- Un ignorato adespotum poetico in Esichio (σ 1926 Hansen)
- La declinazione ἐλᾶ, ἐλᾶς in Diph. fr. 14,4–5 K.-A. e Alex. fr. 263,3 K.-A.
- An Unnoticed Fragment of Laevius?
- Ciris 301: An Emendation
- The Phases of Venus in Germanicus: A Note on German. fr. 4.73–76
Artikel in diesem Heft
- Titelseiten
- Editorial
- Aufsätze
- Der medizinische Unterricht der Iatrosophisten in der ‚Schule von Alexandria‘ (5.‒7. Jh. n. Chr.): Überlegungen zu seiner Organisation, seinen Inhalten und seinen Ursprüngen (erster Teil)
- Melanthios von Rhodos in Apollodors Chronik (P.Herc. 10 21, col. XXXI)
- Oὐ γὰρ ἴσον Κύκλωπι μελίσδεο: Intertextuality, Metalepsis, and Eulogistic Strategies in EB 58–63
- Wie man eine Platonstelle deutet: Exegetische Strukturen im Mittelplatonismus
- Schiffbruch im Totenreich
- A Metaliterary Approach to Ursicinus’ Outburst (Amm. Marc. 20.2.4)
- “Libre à de plus audacieux de pousser plus loin la fidélité”: Traduire les passages obscènes dans la “Collection des Universités de France” entre 1920 et 1945
- Miszellen
- ‘Τείχισμα Πελαργικόν’: Notes on Callimachus frr. 97–97a Harder
- La metafora dei cavalli in Cercida 6(a) Lom.
- Un ignorato adespotum poetico in Esichio (σ 1926 Hansen)
- La declinazione ἐλᾶ, ἐλᾶς in Diph. fr. 14,4–5 K.-A. e Alex. fr. 263,3 K.-A.
- An Unnoticed Fragment of Laevius?
- Ciris 301: An Emendation
- The Phases of Venus in Germanicus: A Note on German. fr. 4.73–76