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Frontmatter
Veröffentlicht/Copyright:
30. Dezember 2016
Published Online: 2016-12-30
Published in Print: 2016-12-1
© 2016 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Editorial
- Editorial
- Introduction: From Comparative Arts to Interart Studies
- I. Frictions
- Israel / Palästina retten: Kunst und der binationale Staat
- I. Frictions
- Rematerialisation
- I. Frictions
- Is Brazil a Postcolonial Country?
- I. Frictions
- Myth-Science and the Fictioning of Reality
- II. Fictions
- Speculation and the End of Fiction
- II. Fictions
- “All Data is Credit Data”
- II. Fictions
- Yet Unborn Realities
- II. Fictions
- Deception and Fiction as Forms of World-making in Contemporary Art
- III. F(r)ictions
- Existentielle Dringlichkeit
- III. F(r)ictions
- Between Nostalgia and History in the US South: Fictions of the Black Waiter on Film
- III. F(r)ictions
- It’s (Still) About Time
- III. F(r)ictions
- Images of the Human Being
- III. F(r)ictions
- Autorinnen und Autoren
Artikel in diesem Heft
- Frontmatter
- Editorial
- Editorial
- Introduction: From Comparative Arts to Interart Studies
- I. Frictions
- Israel / Palästina retten: Kunst und der binationale Staat
- I. Frictions
- Rematerialisation
- I. Frictions
- Is Brazil a Postcolonial Country?
- I. Frictions
- Myth-Science and the Fictioning of Reality
- II. Fictions
- Speculation and the End of Fiction
- II. Fictions
- “All Data is Credit Data”
- II. Fictions
- Yet Unborn Realities
- II. Fictions
- Deception and Fiction as Forms of World-making in Contemporary Art
- III. F(r)ictions
- Existentielle Dringlichkeit
- III. F(r)ictions
- Between Nostalgia and History in the US South: Fictions of the Black Waiter on Film
- III. F(r)ictions
- It’s (Still) About Time
- III. F(r)ictions
- Images of the Human Being
- III. F(r)ictions
- Autorinnen und Autoren