Abstract
In various ways the movement and experience of the body is instructed by others. This may be in the dance class or on the playing field. In these interactions, one person claims knowledge of the other’s body and rights to instruct how that body functions, moves, and feels. By undertaking a close analysis of embodied and spoken interaction within performance training sessions from a multimodal conversation analytic perspective, this paper will identify one kind of broad sequential trajectory – from intimate contact to public display - that shows how an instructor claims rights over the internal workings of another’s body by traversing different levels of proximity and sensorial modalities.
Transcription notation
The transcription notation and system used is adapted from Jefferson and Heath. It replaces numerical pauses lengths with a graphical representation so as to allow for clear description of the actions that occur simultaneously with verbal pauses. Graphical notation of an action (as opposed to descriptive notation) is positioned in line with the verbal utterance line, while a descriptive gloss is offered in the right-justified double parentheses relating to that notation. Embodied actions are indicated by the indentation of identifiers by one space, and line numbers are attributed to the verbal utterances only, so as to underline the simultaneous nature of the verbal and embodied actions.
∼∼∼ | action, aligned with vocal utterance |
_____ | ‘held’ action (such as touch) |
| | timing point, relating to aligned point in verbal and action line |
[ | verbal overlap |
(-----) | pause, length indicated in tenths of a second |
● | image capture point |
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© 2021 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Research Articles
- Instructing embodied knowledge: multimodal approaches to interactive practices for knowledge constitution
- Singing and the body: body-focused and concept-focused vocal instruction
- In other gestures: Multimodal iteration in cello master classes
- Vocalizations in dance classes teach body knowledge
- Synchronization in demonstrations. Multimodal practices for instructing body knowledge
- Situating embodied action plans: pre-enacting and planning actions within knowledge communication in sports training
- Taking the trumpet up there: enactment of embodied high pitch in a multimodal body schema
- Monitoring and evaluating body knowledge: metaphors and metonymies of body position in children’s music instrument instruction
- Situating embodied instruction – proxemics and body knowledge
- The social construction of embodied experiences: two types of discoveries in the science centre
Artikel in diesem Heft
- Frontmatter
- Research Articles
- Instructing embodied knowledge: multimodal approaches to interactive practices for knowledge constitution
- Singing and the body: body-focused and concept-focused vocal instruction
- In other gestures: Multimodal iteration in cello master classes
- Vocalizations in dance classes teach body knowledge
- Synchronization in demonstrations. Multimodal practices for instructing body knowledge
- Situating embodied action plans: pre-enacting and planning actions within knowledge communication in sports training
- Taking the trumpet up there: enactment of embodied high pitch in a multimodal body schema
- Monitoring and evaluating body knowledge: metaphors and metonymies of body position in children’s music instrument instruction
- Situating embodied instruction – proxemics and body knowledge
- The social construction of embodied experiences: two types of discoveries in the science centre