Abstract
This study re-examines the idea that Eadwacer in the short Old English ‘Elegy’ Wulf and Eadwacer is a literary representation of the historical Odoacer, a fifth-century Germanic king of Italy, and Wulf is his historical and traditional literary opponent, Theoderic the Ostrogoth. The text of the poem is compared for the first time with the historical records of the contention between Odoacer and Theoderic, and particularly of the siege of Ravenna (490–493). A new and revealing analogue is identified in a seventh-century chronicle of this event by John of Antioch, which introduces Odoacer’s wife as a woman who is starved to death, mirroring a puzzling detail in the poem. It is argued that the historical record (itself featuring literary influence) explains the characters and scenario of Wulf and Eadwacer, which can thus be re-interpreted as a linguistically highly adept and bitter lyric spoken by Eadwacer’s wife, lamenting her marriage to him and longing for her outlaw love, Wulf, set in the landscape of northern Italy. It is argued that it is a unique example of a poem in the (possibly Continental-derived) Anglo-Saxon Theoderic tradition, which was otherwise lost save for a few brief allusions in other poems. It is also suggested that the importance of its speaker and her feminine viewpoint ought to be incorporated into our concept of “heroic” poetry, as it existed in England by the latter tenth century.
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Artikel in diesem Heft
- Frontmatter
- Frontmatter
- Light and Divine Wisdom: An Alternative Interpretation of the Iconography of the Fuller Brooch
- Tu beoð gemæccan: The Key Concept of Maxims I Representing One of the Fundamental Principles of the World Order
- Wulf and Eadwacer Reloaded: John of Antioch and the Starving Wife of Odoacer
- Sensational News about Nature: Risk and Resilience in Satirical Ozone Poetry of the Victorian Era
- Influences of George Gordon Byron on Asdren
- Construction of Identity/World and ‘Symbolic Death’: A Lacanian Approach to William Golding’s Pincher Martin
- The Anatomist of Love and Disease in Jeanette Winterson’s Written on the Body
- Conventions of the Ungendered Narrative
- “In My Mind’s Eye”: On the Relocation of Hamlet’s Story by Michael Almereyda
- ‘Force’ and ‘Chi’: Duality, Identity, and Struggle in Star Wars and Buchi Emecheta’s Kehinde
- Anxious Dynamics of Exile and the Ambivalence of Arab American Identity in Diana Abu-Jaber’s Crescent: Critical Reflections and Contemplations
- Between Remembering and Confession: A Refugee Narrative in Dina Nayeri’s Refuge
- Orfeo: A Posthuman Modern Prometheus. Uncommon Powers of Musical Imagination
- On Literary Apathy: Forms of Dis/Affection in My Year of Rest and Relaxation (2018)
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Artikel in diesem Heft
- Frontmatter
- Frontmatter
- Light and Divine Wisdom: An Alternative Interpretation of the Iconography of the Fuller Brooch
- Tu beoð gemæccan: The Key Concept of Maxims I Representing One of the Fundamental Principles of the World Order
- Wulf and Eadwacer Reloaded: John of Antioch and the Starving Wife of Odoacer
- Sensational News about Nature: Risk and Resilience in Satirical Ozone Poetry of the Victorian Era
- Influences of George Gordon Byron on Asdren
- Construction of Identity/World and ‘Symbolic Death’: A Lacanian Approach to William Golding’s Pincher Martin
- The Anatomist of Love and Disease in Jeanette Winterson’s Written on the Body
- Conventions of the Ungendered Narrative
- “In My Mind’s Eye”: On the Relocation of Hamlet’s Story by Michael Almereyda
- ‘Force’ and ‘Chi’: Duality, Identity, and Struggle in Star Wars and Buchi Emecheta’s Kehinde
- Anxious Dynamics of Exile and the Ambivalence of Arab American Identity in Diana Abu-Jaber’s Crescent: Critical Reflections and Contemplations
- Between Remembering and Confession: A Refugee Narrative in Dina Nayeri’s Refuge
- Orfeo: A Posthuman Modern Prometheus. Uncommon Powers of Musical Imagination
- On Literary Apathy: Forms of Dis/Affection in My Year of Rest and Relaxation (2018)
- Reviews
- Roberta Frank. 2022. The Etiquette of Early Northern Verse. Conway Lectures in Medieval Studies 2010. Notre Dame: University of Notre Dame Press, xxx + 265 pp., $ 65.00.
- Claire Breay and Joanna Story (eds.), with Eleanor Jackson. 2021. Manuscripts in the Anglo-Saxon Kingdoms: Cultures and Connections. Dublin: Four Courts Press, xvii + 256 pp., numerous colour illustr., € 58.50.
- Mark Amsler. 2021. The Medieval Life of Language: Grammar and Pragmatics from Bacon to Kempe. Amsterdam: Amsterdam University Press, 264 pp., 2 figures, 2 tables, € 106.00.
- Alexandra Barratt and Susan Powell (eds.). 2021. The Fifteen Oes and Other Prayers: Edited from the Text Published by William Caxton (1491). Middle English Texts 61. Heidelberg: Winter, xxxvi + 54 pp., € 44.
- Carolin Gebauer. 2021. Making Time: World Construction in the Present-Tense Novel. Narratologia 77. Berlin/Boston, MA: De Gruyter, xvii + 378 pp., 5 tables, 5 illustr., € 99.95.
- Kai Wiegandt. 2019. J. M. Coetzee’s Revisions of the Human: Posthumanism and Narrative Form. Cham: Palgrave Macmillan, ix + 280 pp., € 90.94.
- Linda K. Hughes, Sarah Ruffing Robbins and Andrew Taylor with Heidi Hakimi-Hood and Adam Nemmers (eds.). 2022. Transatlantic Anglophone Literatures, 1776–1920: An Anthology. Edinburgh: Edinburgh University Press, 808 pp., 60 illustr., £ 29.99/$ 39.95.
- Juliane Braun. 2019. Creole Drama: Theatre and Society in Antebellum New Orleans. Writing the Early Americas 4. Charlottesville, VA/London: The University of Virginia Press, 280 pp., 12 illustr., $ 69.50.
- Lisa Gotto. 2021. Passing and Posing between Black and White: Calibrating the Color Line in U. S. Cinema. Film Studies. Bielefeld: transcript, 247 pp., 30 figures, € 49.00.
- Daniel Stein. 2021. Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre. Studies in Comics and Cartoons. Columbus, OH: Ohio State University Press, xv + 315 pp., 28 illustr., $ 34.95.
- Books Reviewed: Anglia 140 (2022)