Startseite “In My Mind’s Eye”: On the Relocation of Hamlet’s Story by Michael Almereyda
Artikel
Lizenziert
Nicht lizenziert Erfordert eine Authentifizierung

“In My Mind’s Eye”: On the Relocation of Hamlet’s Story by Michael Almereyda

  • Ángela Almela EMAIL logo
Veröffentlicht/Copyright: 7. Dezember 2022
Veröffentlichen auch Sie bei De Gruyter Brill
Anglia
Aus der Zeitschrift Anglia Band 140 Heft 3-4

Abstract

Almereyda’s adaptation of Hamlet (2000) has been considered as highly provocative, since it plays with time and space dimensions in a definitely challenging way. This ‘attempt’ at the original play could have introduced profound changes in the traditional interpretation of the Shakespearean story. Furthermore, in this age, dominated by streaming platforms and digital technologies, a revision of this last film version of Hamlet, the most technological to date, seems particularly relevant, especially after having celebrated its twentieth anniversary.Concentrating primarily on the display of technology in the film version analysed, this article interprets the grasp of the timelessness in Hamlet’s story resorting to the so-called ‘technologies of memory’. This dominance of technology can lead human beings to mistake the image for the real, and this absence of distinction, as well as the US corporate imperialism in which the protagonist is immersed, is what I aim to investigate in relation to the presence of the Ghost.1

Works Cited

Almela, Ángela. 2009. “La Historia Social en Macbeth”. In: Fernando Carmona Fernández and José Miguel García Cano(eds.). La Literatura en la Historia y la Historia en la Literatura: in honorem Francisco Flores Arroyuelo. Murcia: EditUM. 13–23.Suche in Google Scholar

Bohnenkamp, Anne. 2012. “Vorwort: Literaturverfilmungen als intermediale Herausforderung”. In: Bohnenkamp and Tilman Lang (eds.). Literaturverfilmungen. Stuttgart: Reclam. 9–40.Suche in Google Scholar

Calvo, Clara and Jean Jacques Weber. 1998. The Literature Workbook. London: Routledge. Suche in Google Scholar

Constandinides, Costas. 2012. From Film Adaptation to Post-Celluloid Adaptation: Rethinking the Transition of Popular Narratives and Characters across Old and New Media. London: Continuum.Suche in Google Scholar

Crowl, Samuel. 2003. At the Shakespeare Cineplex: The Kenneth Branagh Era. Athens, OH: Ohio University Press.Suche in Google Scholar

Fattouh, Essam. 2020. “Hamlet on the Screen”. Scholar International Journal of Linguistics and Literature 3.4: 91–100. 10.36348/sijll.2020.v03i04.001Suche in Google Scholar

Frow, John. 1997. Time and Commodity Culture: Essays in Cultural Theory and Postmodernity. Oxford: Clarendon Press.10.1093/oso/9780198159476.001.0001Suche in Google Scholar

Greenblatt, Stephen. 2001. Hamlet in Purgatory. Princeton, NJ: Princeton University Press.Suche in Google Scholar

Kasthuri, Narayanan and Jeff W. Lichtman. 2003. “The Role of Neuronal Identity in Synaptic Competition”. Nature 424.6947: 426–430.10.1038/nature01836Suche in Google Scholar

Hamlet. 2000. Dir. Michael Almereyda. Prod. Andrew Fierberg and Amy Hobby. Miramax.Suche in Google Scholar

Hunter, Patrick. 1997. “Hamlet’s Ghost on the Screen”. In: Holger Klein and Dimiter Daphinoff (eds.). Hamlet on Screen. New York: Edwin Mellen Press. 18–27.Suche in Google Scholar

Jameson, Fredric. 1996. “The Cultural Logic of Late Capitalism”. In: Lawrence E. Cahoone (ed.). From Modernism to Postmodernism: An Anthology. London: Blackwell. 564–574. Suche in Google Scholar

Jess, Carolyn. 2004. “The Promethean Apparatus: Michael Almereyda’s Hamlet as Cinematic Allegory”. Literature Film Quarterly 32.2: 90–106.Suche in Google Scholar

Leonard, Kendra Preston. 2009. Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations. Lanham, MD: The Scarecrow Press.Suche in Google Scholar

Movieclips. 2015a. “Hamlet (2/11) Movie CLIP – Frailty Thy Name is Woman (2000) HD”. YouTube, uploaded by Rotten Tomatoes movieclips, January 16. <https://youtu.be/BZjqqKqaw60> [accessed 29 October 2022].Suche in Google Scholar

Movieclips. 2015b. “Hamlet (4/11) Movie CLIP – Murder Most Foul (2000) HD”. YouTube, uploaded by Rotten Tomatoes movieclips, January 16. <https://youtu.be/D_84bHFra4s> [accessed 29 October 2022].Suche in Google Scholar

Nora, Pierre. 1989. “Between Memory and History: Les Lieux de Mémoire”. Representations 26: 7–25.10.2307/2928520Suche in Google Scholar

Pujante, Ángel-Luis. 1994. “Introduction“. In: Pujante (ed.). Hamlet. Madrid: Espasa Calpe.Suche in Google Scholar

Rooks, Amanda Kane. 2014. “The ‘New’ Ophelia in Michael Almereyda's Hamlet”. Literature/Film Quarterly 42.2: 475–485.Suche in Google Scholar

Rowe, Catherine. 2003. “‘Remember Me’: Technologies of memory in Michael Almereyda’s Hamlet”. In: Richard Burt and Lynda E. Boose (eds.). Shakespeare, The Movie, II: Popularizing the Plays on Film, TV, Video and DVD. London: Routledge. 37–55.Suche in Google Scholar

Shakespeare, William. 1994. Hamlet. Trans. and ed. Ángel-Luis Pujante. Madrid: Espasa Calpe.Suche in Google Scholar

Shakespeare, William. 2002a. Hamlet. In: Stephen Orgel and A. R. Braunmuller (eds.). The Complete Pelican Shakespeare. London: Penguin. 1337–1391.Suche in Google Scholar

Shakespeare, William. 2002b. Macbeth. In: Stephen Orgel and A. R. Braunmuller (eds.). The Complete Pelican Shakespeare. London: Penguin. 1616–1650.Suche in Google Scholar

Stam, Robert. 2005. “Introduction: The Theory and Practice of Adaptation”. In: Stam and Alessandra Raengo (eds.). Literature and Film: A Guide to the Theory and Practice of Film Adaptation. Malden: Blackwell. 1–52.Suche in Google Scholar

Straumann, Barbara. 2015. “Adaptation – Remediation – Transmediality”. In: Gabriele Rippl (ed.). Handbook of Intermediality. Berlin: De Gruyter. 249–267.10.1515/9783110311075-015Suche in Google Scholar

Szczepaniak-Gillece, Jocelyn. 2020. “Introduction”. In: Richard Grusin and Szczepaniak-Gillece (eds.). The Ends of Cinema. Minneapolis, MN: University of Minnesota Press. 1–9.10.5749/j.ctv1c9hqbh.3Suche in Google Scholar

Published Online: 2022-12-07
Published in Print: 2022-12-01

© 2022 Walter de Gruyter GmbH, Berlin/Boston

Artikel in diesem Heft

  1. Frontmatter
  2. Frontmatter
  3. Light and Divine Wisdom: An Alternative Interpretation of the Iconography of the Fuller Brooch
  4. Tu beoð gemæccan: The Key Concept of Maxims I Representing One of the Fundamental Principles of the World Order
  5. Wulf and Eadwacer Reloaded: John of Antioch and the Starving Wife of Odoacer
  6. Sensational News about Nature: Risk and Resilience in Satirical Ozone Poetry of the Victorian Era
  7. Influences of George Gordon Byron on Asdren
  8. Construction of Identity/World and ‘Symbolic Death’: A Lacanian Approach to William Golding’s Pincher Martin
  9. The Anatomist of Love and Disease in Jeanette Winterson’s Written on the Body
  10. Conventions of the Ungendered Narrative
  11. “In My Mind’s Eye”: On the Relocation of Hamlet’s Story by Michael Almereyda
  12. ‘Force’ and ‘Chi’: Duality, Identity, and Struggle in Star Wars and Buchi Emecheta’s Kehinde
  13. Anxious Dynamics of Exile and the Ambivalence of Arab American Identity in Diana Abu-Jaber’s Crescent: Critical Reflections and Contemplations
  14. Between Remembering and Confession: A Refugee Narrative in Dina Nayeri’s Refuge
  15. Orfeo: A Posthuman Modern Prometheus. Uncommon Powers of Musical Imagination
  16. On Literary Apathy: Forms of Dis/Affection in My Year of Rest and Relaxation (2018)
  17. Reviews
  18. Roberta Frank. 2022. The Etiquette of Early Northern Verse. Conway Lectures in Medieval Studies 2010. Notre Dame: University of Notre Dame Press, xxx + 265 pp., $ 65.00.
  19. Claire Breay and Joanna Story (eds.), with Eleanor Jackson. 2021. Manuscripts in the Anglo-Saxon Kingdoms: Cultures and Connections. Dublin: Four Courts Press, xvii + 256 pp., numerous colour illustr., € 58.50.
  20. Mark Amsler. 2021. The Medieval Life of Language: Grammar and Pragmatics from Bacon to Kempe. Amsterdam: Amsterdam University Press, 264 pp., 2 figures, 2 tables, € 106.00.
  21. Alexandra Barratt and Susan Powell (eds.). 2021. The Fifteen Oes and Other Prayers: Edited from the Text Published by William Caxton (1491). Middle English Texts 61. Heidelberg: Winter, xxxvi + 54 pp., € 44.
  22. Carolin Gebauer. 2021. Making Time: World Construction in the Present-Tense Novel. Narratologia 77. Berlin/Boston, MA: De Gruyter, xvii + 378 pp., 5 tables, 5 illustr., € 99.95.
  23. Kai Wiegandt. 2019. J. M. Coetzee’s Revisions of the Human: Posthumanism and Narrative Form. Cham: Palgrave Macmillan, ix + 280 pp., € 90.94.
  24. Linda K. Hughes, Sarah Ruffing Robbins and Andrew Taylor with Heidi Hakimi-Hood and Adam Nemmers (eds.). 2022. Transatlantic Anglophone Literatures, 17761920: An Anthology. Edinburgh: Edinburgh University Press, 808 pp., 60 illustr., £ 29.99/$ 39.95.
  25. Juliane Braun. 2019. Creole Drama: Theatre and Society in Antebellum New Orleans. Writing the Early Americas 4. Charlottesville, VA/London: The University of Virginia Press, 280 pp., 12 illustr., $ 69.50.
  26. Lisa Gotto. 2021. Passing and Posing between Black and White: Calibrating the Color Line in U. S. Cinema. Film Studies. Bielefeld: transcript, 247 pp., 30 figures, € 49.00.
  27. Daniel Stein. 2021. Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre. Studies in Comics and Cartoons. Columbus, OH: Ohio State University Press, xv + 315 pp., 28 illustr., $ 34.95.
  28. Books Reviewed: Anglia 140 (2022)
Heruntergeladen am 28.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/ang-2022-0054/html
Button zum nach oben scrollen