Abstract
Almereyda’s adaptation of Hamlet (2000) has been considered as highly provocative, since it plays with time and space dimensions in a definitely challenging way. This ‘attempt’ at the original play could have introduced profound changes in the traditional interpretation of the Shakespearean story. Furthermore, in this age, dominated by streaming platforms and digital technologies, a revision of this last film version of Hamlet, the most technological to date, seems particularly relevant, especially after having celebrated its twentieth anniversary.Concentrating primarily on the display of technology in the film version analysed, this article interprets the grasp of the timelessness in Hamlet’s story resorting to the so-called ‘technologies of memory’. This dominance of technology can lead human beings to mistake the image for the real, and this absence of distinction, as well as the US corporate imperialism in which the protagonist is immersed, is what I aim to investigate in relation to the presence of the Ghost.1
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© 2022 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Frontmatter
- Light and Divine Wisdom: An Alternative Interpretation of the Iconography of the Fuller Brooch
- Tu beoð gemæccan: The Key Concept of Maxims I Representing One of the Fundamental Principles of the World Order
- Wulf and Eadwacer Reloaded: John of Antioch and the Starving Wife of Odoacer
- Sensational News about Nature: Risk and Resilience in Satirical Ozone Poetry of the Victorian Era
- Influences of George Gordon Byron on Asdren
- Construction of Identity/World and ‘Symbolic Death’: A Lacanian Approach to William Golding’s Pincher Martin
- The Anatomist of Love and Disease in Jeanette Winterson’s Written on the Body
- Conventions of the Ungendered Narrative
- “In My Mind’s Eye”: On the Relocation of Hamlet’s Story by Michael Almereyda
- ‘Force’ and ‘Chi’: Duality, Identity, and Struggle in Star Wars and Buchi Emecheta’s Kehinde
- Anxious Dynamics of Exile and the Ambivalence of Arab American Identity in Diana Abu-Jaber’s Crescent: Critical Reflections and Contemplations
- Between Remembering and Confession: A Refugee Narrative in Dina Nayeri’s Refuge
- Orfeo: A Posthuman Modern Prometheus. Uncommon Powers of Musical Imagination
- On Literary Apathy: Forms of Dis/Affection in My Year of Rest and Relaxation (2018)
- Reviews
- Roberta Frank. 2022. The Etiquette of Early Northern Verse. Conway Lectures in Medieval Studies 2010. Notre Dame: University of Notre Dame Press, xxx + 265 pp., $ 65.00.
- Claire Breay and Joanna Story (eds.), with Eleanor Jackson. 2021. Manuscripts in the Anglo-Saxon Kingdoms: Cultures and Connections. Dublin: Four Courts Press, xvii + 256 pp., numerous colour illustr., € 58.50.
- Mark Amsler. 2021. The Medieval Life of Language: Grammar and Pragmatics from Bacon to Kempe. Amsterdam: Amsterdam University Press, 264 pp., 2 figures, 2 tables, € 106.00.
- Alexandra Barratt and Susan Powell (eds.). 2021. The Fifteen Oes and Other Prayers: Edited from the Text Published by William Caxton (1491). Middle English Texts 61. Heidelberg: Winter, xxxvi + 54 pp., € 44.
- Carolin Gebauer. 2021. Making Time: World Construction in the Present-Tense Novel. Narratologia 77. Berlin/Boston, MA: De Gruyter, xvii + 378 pp., 5 tables, 5 illustr., € 99.95.
- Kai Wiegandt. 2019. J. M. Coetzee’s Revisions of the Human: Posthumanism and Narrative Form. Cham: Palgrave Macmillan, ix + 280 pp., € 90.94.
- Linda K. Hughes, Sarah Ruffing Robbins and Andrew Taylor with Heidi Hakimi-Hood and Adam Nemmers (eds.). 2022. Transatlantic Anglophone Literatures, 1776–1920: An Anthology. Edinburgh: Edinburgh University Press, 808 pp., 60 illustr., £ 29.99/$ 39.95.
- Juliane Braun. 2019. Creole Drama: Theatre and Society in Antebellum New Orleans. Writing the Early Americas 4. Charlottesville, VA/London: The University of Virginia Press, 280 pp., 12 illustr., $ 69.50.
- Lisa Gotto. 2021. Passing and Posing between Black and White: Calibrating the Color Line in U. S. Cinema. Film Studies. Bielefeld: transcript, 247 pp., 30 figures, € 49.00.
- Daniel Stein. 2021. Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre. Studies in Comics and Cartoons. Columbus, OH: Ohio State University Press, xv + 315 pp., 28 illustr., $ 34.95.
- Books Reviewed: Anglia 140 (2022)
Artikel in diesem Heft
- Frontmatter
- Frontmatter
- Light and Divine Wisdom: An Alternative Interpretation of the Iconography of the Fuller Brooch
- Tu beoð gemæccan: The Key Concept of Maxims I Representing One of the Fundamental Principles of the World Order
- Wulf and Eadwacer Reloaded: John of Antioch and the Starving Wife of Odoacer
- Sensational News about Nature: Risk and Resilience in Satirical Ozone Poetry of the Victorian Era
- Influences of George Gordon Byron on Asdren
- Construction of Identity/World and ‘Symbolic Death’: A Lacanian Approach to William Golding’s Pincher Martin
- The Anatomist of Love and Disease in Jeanette Winterson’s Written on the Body
- Conventions of the Ungendered Narrative
- “In My Mind’s Eye”: On the Relocation of Hamlet’s Story by Michael Almereyda
- ‘Force’ and ‘Chi’: Duality, Identity, and Struggle in Star Wars and Buchi Emecheta’s Kehinde
- Anxious Dynamics of Exile and the Ambivalence of Arab American Identity in Diana Abu-Jaber’s Crescent: Critical Reflections and Contemplations
- Between Remembering and Confession: A Refugee Narrative in Dina Nayeri’s Refuge
- Orfeo: A Posthuman Modern Prometheus. Uncommon Powers of Musical Imagination
- On Literary Apathy: Forms of Dis/Affection in My Year of Rest and Relaxation (2018)
- Reviews
- Roberta Frank. 2022. The Etiquette of Early Northern Verse. Conway Lectures in Medieval Studies 2010. Notre Dame: University of Notre Dame Press, xxx + 265 pp., $ 65.00.
- Claire Breay and Joanna Story (eds.), with Eleanor Jackson. 2021. Manuscripts in the Anglo-Saxon Kingdoms: Cultures and Connections. Dublin: Four Courts Press, xvii + 256 pp., numerous colour illustr., € 58.50.
- Mark Amsler. 2021. The Medieval Life of Language: Grammar and Pragmatics from Bacon to Kempe. Amsterdam: Amsterdam University Press, 264 pp., 2 figures, 2 tables, € 106.00.
- Alexandra Barratt and Susan Powell (eds.). 2021. The Fifteen Oes and Other Prayers: Edited from the Text Published by William Caxton (1491). Middle English Texts 61. Heidelberg: Winter, xxxvi + 54 pp., € 44.
- Carolin Gebauer. 2021. Making Time: World Construction in the Present-Tense Novel. Narratologia 77. Berlin/Boston, MA: De Gruyter, xvii + 378 pp., 5 tables, 5 illustr., € 99.95.
- Kai Wiegandt. 2019. J. M. Coetzee’s Revisions of the Human: Posthumanism and Narrative Form. Cham: Palgrave Macmillan, ix + 280 pp., € 90.94.
- Linda K. Hughes, Sarah Ruffing Robbins and Andrew Taylor with Heidi Hakimi-Hood and Adam Nemmers (eds.). 2022. Transatlantic Anglophone Literatures, 1776–1920: An Anthology. Edinburgh: Edinburgh University Press, 808 pp., 60 illustr., £ 29.99/$ 39.95.
- Juliane Braun. 2019. Creole Drama: Theatre and Society in Antebellum New Orleans. Writing the Early Americas 4. Charlottesville, VA/London: The University of Virginia Press, 280 pp., 12 illustr., $ 69.50.
- Lisa Gotto. 2021. Passing and Posing between Black and White: Calibrating the Color Line in U. S. Cinema. Film Studies. Bielefeld: transcript, 247 pp., 30 figures, € 49.00.
- Daniel Stein. 2021. Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre. Studies in Comics and Cartoons. Columbus, OH: Ohio State University Press, xv + 315 pp., 28 illustr., $ 34.95.
- Books Reviewed: Anglia 140 (2022)