Beaumont and Fletcher Rewrite Cervantes: Love’s Pilgrimage, a Farcical Representation of Spain and a Subversion of Jacobean Patriarchy
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Raquel Serrano González
Abstract
Co-authored by the English dramatists Beaumont and Fletcher, Love’s Pilgrimage (c. 1615–1616) is a stage adaptation of Las dos doncellas (The Novel of the Two Maidens) (1613), an exemplary novel penned by the renowned Spanish writer Miguel de Cervantes. Produced at a time when Anglo-Spanish relations were marked by an ambivalent state of religiopolitical hostility and cultural fascination, the play offers a bitterly farcical representation of the perceived ethos and social norms of the source culture. At the same time, it engages with the target culture’s political and ideological matrix, offering – oblique – commentary on the authors’ own society. This article provides a comparative study of both works, to assess both the playwrights’ representation of Spain and their stance on certain political and ideological contingencies that shaped Jacobean England.
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© 2022 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Frontmatter
- Preliminary Note
- Constructing the Poet’s ‘Now’: “Deor’s” Modernist Temporalities
- Beaumont and Fletcher Rewrite Cervantes: Love’s Pilgrimage, a Farcical Representation of Spain and a Subversion of Jacobean Patriarchy
- The Textual Apparatus of Empire in Joseph Conrad’s Heart of Darkness
- Narrative Conflict and Implied Value Conflict: An Analysis of Aspects of the Implied Worldview of Richard Morgan’s Altered Carbon (2002) and Hanif Kureishi’s The Body (2002)
- Huizinga’s Homo Ludens and the Element of Playfulness in Emily Dickinson
- Climate Change and the Ironies of Omniscience in Rumaan Alam’s Leave the World Behind
- Reviews
- John Gallagher. 2019. Learning Languages in Early Modern England. Oxford: Oxford University Press, 286 pp., 19 illustr., £ 63.00.
- Review
- Michael D. J. Bintley. 2020. Settlements and Strongholds in Early Medieval England: Texts, Landscapes, and Material Culture. Studies in the Early Middle Ages 45. Turnhout: Brepols, 231 pp., 13 illustr., € 75.00.
- Anthony Bale and Sebastian Sobecki (eds.). 2019. Medieval English Travel: A Critical Anthology. Oxford: Oxford University Press, xviii + 498 pp., 4 figures, 3 maps, £ 95.00 (hb)/£ 20.00 (pb).
- A. W. Strouse. 2021. Form and Foreskin: Medieval Narratives of Circumcision. New York: Fordham University Press, 165 pp., $ 90.00 (hc)/$ 25.00 (pb).
- Torsten Meireis and Gabriele Rippl (eds.). 2019. Cultural Sustainability: Perspectives from the Humanities and Social Sciences. Routledge Environmental Humanities. Abingdon: Routledge, xiv + 268 pp., 19 figures, 3 tables, £ 120.00.
- Ina Habermann (ed.). 2020. The Road to Brexit: A Cultural Perspective on British Attitudes to Europe. Manchester: Manchester University Press, xvi + 256 pp., 7 figures, 1 table, £ 80.00.
- Corinna Lenhardt. 2020. Savage Horrors: The Intrinsic Raciality of the American Gothic. American Culture Studies 29. Bielefeld: transcript, 288 pp., 1 figure, € 45.00.
- Timo Müller. 2018. The African American Sonnet: A Literary History. Margaret Walker Alexander Series in African American Studies. Jackson, MS: University of Mississippi Press, x + 172 pp., $ 99.00
- Verena Laschinger and Sirpa Salenius (eds.). 2019. Neglected American Women Writers of the Long Nineteenth Century. Routledge Studies in Nineteenth-Century Literature. New York/Abingdon: Routledge, xiii + 209 pp., £ 120.00.
Artikel in diesem Heft
- Frontmatter
- Frontmatter
- Preliminary Note
- Constructing the Poet’s ‘Now’: “Deor’s” Modernist Temporalities
- Beaumont and Fletcher Rewrite Cervantes: Love’s Pilgrimage, a Farcical Representation of Spain and a Subversion of Jacobean Patriarchy
- The Textual Apparatus of Empire in Joseph Conrad’s Heart of Darkness
- Narrative Conflict and Implied Value Conflict: An Analysis of Aspects of the Implied Worldview of Richard Morgan’s Altered Carbon (2002) and Hanif Kureishi’s The Body (2002)
- Huizinga’s Homo Ludens and the Element of Playfulness in Emily Dickinson
- Climate Change and the Ironies of Omniscience in Rumaan Alam’s Leave the World Behind
- Reviews
- John Gallagher. 2019. Learning Languages in Early Modern England. Oxford: Oxford University Press, 286 pp., 19 illustr., £ 63.00.
- Review
- Michael D. J. Bintley. 2020. Settlements and Strongholds in Early Medieval England: Texts, Landscapes, and Material Culture. Studies in the Early Middle Ages 45. Turnhout: Brepols, 231 pp., 13 illustr., € 75.00.
- Anthony Bale and Sebastian Sobecki (eds.). 2019. Medieval English Travel: A Critical Anthology. Oxford: Oxford University Press, xviii + 498 pp., 4 figures, 3 maps, £ 95.00 (hb)/£ 20.00 (pb).
- A. W. Strouse. 2021. Form and Foreskin: Medieval Narratives of Circumcision. New York: Fordham University Press, 165 pp., $ 90.00 (hc)/$ 25.00 (pb).
- Torsten Meireis and Gabriele Rippl (eds.). 2019. Cultural Sustainability: Perspectives from the Humanities and Social Sciences. Routledge Environmental Humanities. Abingdon: Routledge, xiv + 268 pp., 19 figures, 3 tables, £ 120.00.
- Ina Habermann (ed.). 2020. The Road to Brexit: A Cultural Perspective on British Attitudes to Europe. Manchester: Manchester University Press, xvi + 256 pp., 7 figures, 1 table, £ 80.00.
- Corinna Lenhardt. 2020. Savage Horrors: The Intrinsic Raciality of the American Gothic. American Culture Studies 29. Bielefeld: transcript, 288 pp., 1 figure, € 45.00.
- Timo Müller. 2018. The African American Sonnet: A Literary History. Margaret Walker Alexander Series in African American Studies. Jackson, MS: University of Mississippi Press, x + 172 pp., $ 99.00
- Verena Laschinger and Sirpa Salenius (eds.). 2019. Neglected American Women Writers of the Long Nineteenth Century. Routledge Studies in Nineteenth-Century Literature. New York/Abingdon: Routledge, xiii + 209 pp., £ 120.00.
