Startseite Geschichte How Film Histories Were Made
book: How Film Histories Were Made
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How Film Histories Were Made

Materials, Methods, Discourses
  • Herausgegeben von: Malte Hagener und Yvonne Zimmermann
Sprache: Englisch
Veröffentlicht/Copyright: 2024
Weitere Titel anzeigen von Amsterdam University Press

Information zu Autoren / Herausgebern

Hagener Malte :

Malte Hagener is Professor of Media and Film Studies at Philipps-Universität Marburg, Germany. His publications include (with Thomas Elsaesser) Film Theory. An Introduction through the Senses (Routledge 2010, 2nd revised edition 2015). He is the co-editor of Handbuch Filmanalyse (Wiesbaden: Springer 2020; with Volker Pantenburg) and the editor of The Emergence of Film Culture. Knowledge Production, Institution Building and the Fate of the Avant-garde in Europe, 1919-1945. London: Berghahn 2014.Zimmermann Yvonne :

Yvonne Zimmermann is Professor of Media Studies at Philipps-University Marburg. Recent books include the co-authored Advertising and the Transformation of Screen Cultures>/cite> (AUP 2021) and the co-edited Films That Work Harder: The Global Circulations of Industrial Cinema (AUP 2023). She is the editor of a special issue on Asta Nielsen, the film star system and the introduction of the long feature film in Early Popular Visual Culture (2021).


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Towards an Archaeology of Film Historiography
Malte Hagener und Yvonne Zimmermann
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I Models of Film Historiography: Philosophy and Time

Thomas Elsaesser
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Jane M. Gaines
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Caligari and the Crisis of Historicism
Nicholas Baer
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The Moment of “Silence”
Heide Schlüpmann
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II Film History in the Making: Processes and Agendas

On Different Ways to Approach Film History at Different Times1
Francesco Pitassio
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133

Jay Leyda’s (Soviet) Archives
Masha Salazkina
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163

Adjacency Historiography and the Art of the Anthology
Benoît Turquety
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189

Yvonne Zimmermann
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209
III Revisiting Film History: Institutions, Knowledge, and Circulation

Firat Oruc
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235

Charles R. Acland
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263

Notes on the Postcolonial Documentary Film from India
Arvind Rajagopal
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283

Towards a New Archaeology of Screen Communities
Michael Cowan
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315
IV Rewriting Film History with Images: Audiovisual Forms of Historiography

Volker Pantenburg
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347

Some Thoughts on Reflexive Documentaries
Eleftheria Thanouli
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371

From Found Footage Cinema to Online Videographic Criticism
Chiara Grizzaffi
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389
V Into the Digital: New Approaches and Revisions

Franziska Heller
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417

A Note on Scalability and Film Historiography
Alexandra Schneider und Vinzenz Hediger
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445

A Critical Approach to Digital Data Visualizations in the Context of Feminist Film Historiography
Sarah-Mai Dang
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467

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Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
22. November 2023
eBook ISBN:
9789048554577
Seiten und Bilder/Illustrationen im Buch
Inhalt:
530
Abbildungen:
24
Farbige Abbildungen:
12
Heruntergeladen am 27.12.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9789048554577/html?lang=de
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