Startseite Kunst 10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix’s Algorithmic Operations
Kapitel Open Access

10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix’s Algorithmic Operations

  • Malte Hagener
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Post-cinema
Ein Kapitel aus dem Buch Post-cinema
© 2020 Amsterdam University Press, Amsterdam

© 2020 Amsterdam University Press, Amsterdam

Kapitel in diesem Buch

  1. Frontmatter 1
  2. Table of Contents 5
  3. Editorial 9
  4. Acknowledgments 11
  5. 1. Introduction 13
  6. PART I A Tribute to Agnès Varda
  7. 2. The Incipit of Beaches of Agnès (Les plages d’Agnès) An Installation in the Form of a Self-portrait 27
  8. PART II The End of Cinema?
  9. 3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015 45
  10. 4. Cinema Hangs Tough 67
  11. 5. Jean-Luc Godard’s Histoire(s) du cinéma or Cinema Surpasses Itself 85
  12. PART III Technological Transformations
  13. 6. Mutation, Appropriation and Style 99
  14. 7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition – A Dialogue 129
  15. 8. In-Flight Entertainment or the Emptying Process of Art in the Air 143
  16. PART IV New Dispositif, New Conditions
  17. 9. What Kind of Art Is the Cinema of Interactions? 159
  18. 10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix’s Algorithmic Operations 175
  19. 11. Post-cinema Ecology 193
  20. PART V Transformations in Film Form
  21. 12. Dwelling with Moving Images 221
  22. 13. Extraordinary Stories, a Mariano Llinás Postmodern Art Film 241
  23. 14. Art, Otherwise Than Art. Cinema and Contemporary Art: A Mutual Challenge 257
  24. 15. The Zidane Film 281
  25. PART VI Post-cinema, an Artists’ Affair
  26. 16. The Happy Failure. La pluie (Projet pour un texte) by Marcel Broodthaers, 1969 295
  27. 17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky’s DAU 311
  28. 18. Cinématon: The Shortest Films for the Longest Film – A Dialogue 331
  29. 19. Documentary as Contemporary Art – A Dialogue 355
Heruntergeladen am 16.10.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9789048551941-012/html
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