Buch
Open Access
Post-cinema
Cinema in the Post-art Era
-
Herausgegeben von:
José Moure
Sprache:
Englisch
Veröffentlicht/Copyright:
2020
Über dieses Buch
Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Casetti) of the same films that can be seen using devices of all kinds in conditions more or less removed from the dispositif of the theater; the integration of cinema into contemporary art in all kinds of forms of creation and exhibition, parallel to the integration of contemporary art in "regular" cinema.
Information zu Autoren / Herausgebern
Moure José :
José Moure is Professor of Cinema Studies in the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I. He is director of the Research Institute ACTE.Chateau Dominique :
Dominique Chateau is Emeritus Professor of Aesthetics and Cinema at the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I.
Rezensionen
"This new addition to the series The Key Debates is a most welcome examination of the vexed question of cinema’s place in the so-called "post" era (post-medium, postcinema, post-art). Post-cinema: Cinema in the Post-art Era gathers together an impressive list of contributors, theorists as well as artists and filmmakers, whose interventions take us from discourses and practices inspired by the death of the cinema, to affirmations of its resilience, and reflections on its metamorphosis. The result is a book packed with new insights that surfs across the field of film, art, and media studies to offer brilliant reformulations of what cinema becomes." - Martine Beugnet, Professor in Visual Studies at the Paris Diderot University
Fachgebiete
Open Access PDF downloaden |
1 |
Open Access PDF downloaden |
5 |
Open Access PDF downloaden |
9 |
Open Access PDF downloaden |
11 |
Dominique Chateau und José Moure Open Access PDF downloaden |
13 |
PART I A Tribute to Agnès Varda
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José Moure Open Access PDF downloaden |
27 |
PART II The End of Cinema?
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Dudley Andrew Open Access PDF downloaden |
45 |
André Gaudreault und Philippe Marion Open Access PDF downloaden |
67 |
Céline Scemama Open Access PDF downloaden |
85 |
PART III Technological Transformations
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Victor Burgin Open Access PDF downloaden |
99 |
Giovanna Fossati und Annie van den Oever Open Access PDF downloaden |
129 |
Christophe Génin Open Access PDF downloaden |
143 |
PART IV New Dispositif, New Conditions
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François Jost Open Access PDF downloaden |
159 |
Malte Hagener Open Access PDF downloaden |
175 |
Francesco Casetti und Andrea Pinotti Open Access PDF downloaden |
193 |
PART V Transformations in Film Form
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Miriam De Rosa Open Access PDF downloaden |
221 |
Gabriela Rivadeneira Crespo Open Access PDF downloaden |
241 |
Dominique Chateau Open Access PDF downloaden |
257 |
Richard Conte Open Access PDF downloaden |
281 |
PART VI Post-cinema, an Artists’ Affair
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Christophe Viart Open Access PDF downloaden |
295 |
Eugénie Zvonkine Open Access PDF downloaden |
311 |
Gérard Courant, Dominique Chateau und José Moure Open Access PDF downloaden |
331 |
Wang Bing, Dominique Chateau und José Moure Open Access PDF downloaden |
355 |
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
29. September 2020
eBook ISBN:
9789048551941
Seiten und Bilder/Illustrationen im Buch
Inhalt:
366
Abbildungen:
25
eBook ISBN:
9789048551941
Schlagwörter für dieses Buch
Art and Material Cultures; AUP Wetenschappelijk; Film Studies; Film, Media, and Communication; Media Studies; South
Zielgruppe(n) für dieses Buch
Professional and scholarly;
Creative Commons
BY-NC-ND 4.0