Kapitel
Open Access
Emotional Ambivalences. Loving and Hating a Tamagotchi
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Martina Heßler
Kapitel in diesem Buch
- Frontmatter 1
- Contents 2
- Introduction 4
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I. Avatars
- The Avatar 24
- Prosthethics. Replacement and Exchange 30
- Avatarhood and Selfhood 38
- The Self and Its Avatars in Neuropsychiatry 45
- The Secret Behind the Actor-and-Avatar Fmri-Study 54
- Avatar’s Faces in EEG 59
- “Doppeltgänger”. Body Doubles, or the Shadow and His Ego 65
- The Avatar’s Body in Game Spaces 70
- The AIS Have It? Hacking into the AI Avatar Dream 75
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II. Actors
- The Mask 86
- Creating My Digital Self 94
- The Birth of a Digital Actor 100
- Humanizing Virtual People 107
- Double Trouble. Digital Avatars on Stage 114
- In Conversation with Neil Newbon 123
- Facing Characters. A Volumetric Intelligence Framework 129
- A New Geometry of the Eye. The Curious Case of Brad Pitt 135
- On Ali Moini’s Avatar Hacking 139
- “Tears of Truth” 148
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III. Dolls, Puppets & Uncanny Tracks
- Get into The Uncanny Valley 156
- The Mechanical Bride and the Ambivalent Pleasures of the Uncanny 165
- The Mechanical Bride. Realdolls as Companions and Accessible Objects 170
- Promethean Shame? Pandora Reframes: Elena Dorfman’s Origin of the New World 178
- The Artist’s Statement 183
- Encounters of the Uncanny Kind at the Origin of the New World 184
- Face Fracking 190
- Sophia’s Smile. The Challenges of a Humanoid Citizen 195
- I Married a Puppet 200
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IV. Digital Encounters
- Mask, Face, Countenance 210
- A Brief Avatar-Network Theory 214
- Puppets, Pets or Deputies. On the Relationship between Actors and Avatars 224
- Engaging Consciousness. Time and Duration in Holly Bynoe’s Compounds 237
- Emotional Ambivalences. Loving and Hating a Tamagotchi 242
- Consciousness Performed 248
- Artificial Intelligence. Traditional Expectations and a New Category of Machines 259
- The Eyes Have It. The Problem of the Avatar Gaze 265
- What is Koinōnia under Technological Conditions? 273
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Appendix
- Pictures of the Research Project 286
- Authors 308
- Subtexte 311
Kapitel in diesem Buch
- Frontmatter 1
- Contents 2
- Introduction 4
-
I. Avatars
- The Avatar 24
- Prosthethics. Replacement and Exchange 30
- Avatarhood and Selfhood 38
- The Self and Its Avatars in Neuropsychiatry 45
- The Secret Behind the Actor-and-Avatar Fmri-Study 54
- Avatar’s Faces in EEG 59
- “Doppeltgänger”. Body Doubles, or the Shadow and His Ego 65
- The Avatar’s Body in Game Spaces 70
- The AIS Have It? Hacking into the AI Avatar Dream 75
-
II. Actors
- The Mask 86
- Creating My Digital Self 94
- The Birth of a Digital Actor 100
- Humanizing Virtual People 107
- Double Trouble. Digital Avatars on Stage 114
- In Conversation with Neil Newbon 123
- Facing Characters. A Volumetric Intelligence Framework 129
- A New Geometry of the Eye. The Curious Case of Brad Pitt 135
- On Ali Moini’s Avatar Hacking 139
- “Tears of Truth” 148
-
III. Dolls, Puppets & Uncanny Tracks
- Get into The Uncanny Valley 156
- The Mechanical Bride and the Ambivalent Pleasures of the Uncanny 165
- The Mechanical Bride. Realdolls as Companions and Accessible Objects 170
- Promethean Shame? Pandora Reframes: Elena Dorfman’s Origin of the New World 178
- The Artist’s Statement 183
- Encounters of the Uncanny Kind at the Origin of the New World 184
- Face Fracking 190
- Sophia’s Smile. The Challenges of a Humanoid Citizen 195
- I Married a Puppet 200
-
IV. Digital Encounters
- Mask, Face, Countenance 210
- A Brief Avatar-Network Theory 214
- Puppets, Pets or Deputies. On the Relationship between Actors and Avatars 224
- Engaging Consciousness. Time and Duration in Holly Bynoe’s Compounds 237
- Emotional Ambivalences. Loving and Hating a Tamagotchi 242
- Consciousness Performed 248
- Artificial Intelligence. Traditional Expectations and a New Category of Machines 259
- The Eyes Have It. The Problem of the Avatar Gaze 265
- What is Koinōnia under Technological Conditions? 273
-
Appendix
- Pictures of the Research Project 286
- Authors 308
- Subtexte 311