Buried in the Colonial Graveyard? Indigenous Sound Ontologies, Repatriation and the Ethics of Curating Ethnographic Sounds

Kapitel in diesem Buch

1. Frontmatter 1
2. Contents 6
3. Instead of an Editorial 9
4. Salam Godzilla. Unsounding the 1960 Agadir Earthquake 21
5. A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening 45
6. Playing it Back. Critical Reflections on Curating Sound 59
7. »offensichtlich unbegründet«: a work in progress meditation on sonic biometry, migration and the archive 77
8. From a Postmodernist Sound to a Decolonized Dancefloor. From Glitch to Deconstructed Club Music 85
9. Meandering Feuilleton Essay about two concerts that I did not see. Or: About how I read Hall, Mignolo and Walsh instead because I want to write an article for an anthology on Decolonizing Arts and think about whether it is possible to decolonialize Popular Music 101
10. (Post) Colonial Streaming: The Social Reproduction of Listening and Deafness in the Anthropocene 117
11. Buried in the Colonial Graveyard? Indigenous Sound Ontologies, Repatriation and the Ethics of Curating Ethnographic Sounds 133
12. Tangier 1999. In search of authenticity. Paul Bowles longs for something and insists on its existence 153
13. Passageways of Knowing. Music, Movement, Reconnection 165
14. Authors 179
15. List of Illustrations 183