Kapitel
Open Access
Genealogies of Modernism
Curatorial Practices of Comparing in the Exhibitions Cubism and Abstract Art and documenta I
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Britta Hochkirchen
Kapitel in diesem Buch
- Frontmatter 1
- Contents 5
- Acknowledgements 7
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Typologies and Forms
- Practices of Comparing 11
- Preliminary Typology of Comparative Utterances 39
- Incomparability 87
- Odysseus, Blackbirds, and Rain Barrels 111
- Where Do Rankings Come From? 137
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Histories
- The Weight of Comparing in Medieval England 173
- The Shifting Grounds of Comparison in the French Renaissance 199
- Comparison and East-West Encounter 213
- Japan as the Absolute ‘Other’ 229
- “Goût de Comparaison” 257
- Inventing White Beauty and Fighting Black Slavery 295
- The Politicisation of Comparisons 329
- Genealogies of Modernism 349
- Comparing in the Digital Age 377
- Authors and Editors 401
Kapitel in diesem Buch
- Frontmatter 1
- Contents 5
- Acknowledgements 7
-
Typologies and Forms
- Practices of Comparing 11
- Preliminary Typology of Comparative Utterances 39
- Incomparability 87
- Odysseus, Blackbirds, and Rain Barrels 111
- Where Do Rankings Come From? 137
-
Histories
- The Weight of Comparing in Medieval England 173
- The Shifting Grounds of Comparison in the French Renaissance 199
- Comparison and East-West Encounter 213
- Japan as the Absolute ‘Other’ 229
- “Goût de Comparaison” 257
- Inventing White Beauty and Fighting Black Slavery 295
- The Politicisation of Comparisons 329
- Genealogies of Modernism 349
- Comparing in the Digital Age 377
- Authors and Editors 401