Kapitel
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Opening, Turning, Closing
The Cultural Technology of Browsing and the Differences between the Book as an Object and Digital Texts
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Matthias Bickenbach
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Kapitel in diesem Buch
- Frontmatter 1
- Table of contents 5
- Introduction 9
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1. Theories
- How We Read 19
- “The Return to Philology” 39
- Pathological Philology 57
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2. Materialities
- The Hourglass 73
- Paper Mythology 93
- The Literary Manuscript 109
- From Abstraction to Inscription and Back Again 129
- On-the-Table 147
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3. Practices
- Opening, Turning, Closing 161
- Combination of Order and Disorder 175
- Fractures of Writing 185
- New Practices = New Conditions? 197
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4. Technologies
- Sites of Digital Humanities 219
- The Intertextual Frontiers of Vergil’s “Empire without Limit” 229
- Calendar View 257
- Micro and Macro, Close and Distant 269
- Securing the Literary Evidence 287
- On the authors 311
Kapitel in diesem Buch
- Frontmatter 1
- Table of contents 5
- Introduction 9
-
1. Theories
- How We Read 19
- “The Return to Philology” 39
- Pathological Philology 57
-
2. Materialities
- The Hourglass 73
- Paper Mythology 93
- The Literary Manuscript 109
- From Abstraction to Inscription and Back Again 129
- On-the-Table 147
-
3. Practices
- Opening, Turning, Closing 161
- Combination of Order and Disorder 175
- Fractures of Writing 185
- New Practices = New Conditions? 197
-
4. Technologies
- Sites of Digital Humanities 219
- The Intertextual Frontiers of Vergil’s “Empire without Limit” 229
- Calendar View 257
- Micro and Macro, Close and Distant 269
- Securing the Literary Evidence 287
- On the authors 311
