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Contents
Kapitel in diesem Buch
- Frontmatter I
- Contents V
- But There Was Love: Shaping the Memory of the Shoah: Introduction to the English Edition 1
- Preface: How to Remember the Shoah 3
- Book Sections and Chapters 11
-
Section One: Conversations in the First Person
- “Everything was Death. But Within It There Was a lot of Love” 21
- On Historiography and the Personal Voice 37
-
Section Two: Languages of Memory
- Memory of the Present 56
- Clouds 66
- Memory and Oblivion from Individual to Society: Consequences for Remembering the Holocaust 72
-
Section Three: Facing the Nothingness
- “And Who Will Remember? And How Shall We Preserve a Memory?”: New Approaches to Exhibits on The Holocaust 88
- Marek Laub: Negative of a Testimony 110
- Button-Camera 118
- Inside That Gray Cloud 130
- Unsettling Dust 142
-
Section Four: Echoes and Witnesses
- Reflections on the Holocaust in Jewish Thought 156
- ‘The Hassidic Underground’ as a Counter Ultra-Orthodox (Haredi) Historiography 164
- Creating My Memory 182
- Reflections on Hannah Arendt, Radical Evil and Holocaust Survivors’ Testimonies 188
- Death of the Witness: Thoughts on what Remains when the Witness Departs 200
-
Section Five: Poetics of Memory and Forgetting
- The Literary Act as Giving Shape to a Scream: a Transition to Poetics 208
- A Secret Sealed: Between the Researcher’s Riddle and the Poet’s in Pagis’ Work 214
- The Role of Memory and Forgetting in the Creative Process 226
- Remembering and Forgetting in Music Composition 236
- Amulet for the Widening of the Heart 252
-
Section Six: Representation and Responsibility
- Four Views: Members of the Third Generation Reflect on the Holocaust in 2000s Cinema 268
- Arnon Goldfinger’s The Flat (2011): Ethics and Aesthetics in Third Generation Holocaust Cinema 284
- Cine-Memory: The Representation of Women’s Sexualized Trauma in Israeli Holocaust-Related Narrative Films 294
- Survivors 306
- Ethics of Documentation: Attentiveness as Responsibility and Grace 316
-
Section Seven: Hitkansut – Shoah Remembrance Ritual
- Creating Space Within Time: An Invitation to Ritual 330
- The Responsibility to Remember – Remember Responsibly: Hitkansut, A Ritual Gathering for Yom HaShoah 349
- A Note about Adapting Hitkansut to English 360
- Acknowledgements 363
- Contributors 367
Kapitel in diesem Buch
- Frontmatter I
- Contents V
- But There Was Love: Shaping the Memory of the Shoah: Introduction to the English Edition 1
- Preface: How to Remember the Shoah 3
- Book Sections and Chapters 11
-
Section One: Conversations in the First Person
- “Everything was Death. But Within It There Was a lot of Love” 21
- On Historiography and the Personal Voice 37
-
Section Two: Languages of Memory
- Memory of the Present 56
- Clouds 66
- Memory and Oblivion from Individual to Society: Consequences for Remembering the Holocaust 72
-
Section Three: Facing the Nothingness
- “And Who Will Remember? And How Shall We Preserve a Memory?”: New Approaches to Exhibits on The Holocaust 88
- Marek Laub: Negative of a Testimony 110
- Button-Camera 118
- Inside That Gray Cloud 130
- Unsettling Dust 142
-
Section Four: Echoes and Witnesses
- Reflections on the Holocaust in Jewish Thought 156
- ‘The Hassidic Underground’ as a Counter Ultra-Orthodox (Haredi) Historiography 164
- Creating My Memory 182
- Reflections on Hannah Arendt, Radical Evil and Holocaust Survivors’ Testimonies 188
- Death of the Witness: Thoughts on what Remains when the Witness Departs 200
-
Section Five: Poetics of Memory and Forgetting
- The Literary Act as Giving Shape to a Scream: a Transition to Poetics 208
- A Secret Sealed: Between the Researcher’s Riddle and the Poet’s in Pagis’ Work 214
- The Role of Memory and Forgetting in the Creative Process 226
- Remembering and Forgetting in Music Composition 236
- Amulet for the Widening of the Heart 252
-
Section Six: Representation and Responsibility
- Four Views: Members of the Third Generation Reflect on the Holocaust in 2000s Cinema 268
- Arnon Goldfinger’s The Flat (2011): Ethics and Aesthetics in Third Generation Holocaust Cinema 284
- Cine-Memory: The Representation of Women’s Sexualized Trauma in Israeli Holocaust-Related Narrative Films 294
- Survivors 306
- Ethics of Documentation: Attentiveness as Responsibility and Grace 316
-
Section Seven: Hitkansut – Shoah Remembrance Ritual
- Creating Space Within Time: An Invitation to Ritual 330
- The Responsibility to Remember – Remember Responsibly: Hitkansut, A Ritual Gathering for Yom HaShoah 349
- A Note about Adapting Hitkansut to English 360
- Acknowledgements 363
- Contributors 367