A Secret Sealed: Between the Researcher’s Riddle and the Poet’s in Pagis’ Work

Kapitel in diesem Buch

1. Frontmatter I
2. Contents V
3. But There Was Love: Shaping the Memory of the Shoah: Introduction to the English Edition 1
4. Preface: How to Remember the Shoah 3
5. Book Sections and Chapters 11
6. Section One: Conversations in the First Person
7. “Everything was Death. But Within It There Was a lot of Love” 21
8. On Historiography and the Personal Voice 37
9. Section Two: Languages of Memory
10. Memory of the Present 56
11. Clouds 66
12. Memory and Oblivion from Individual to Society: Consequences for Remembering the Holocaust 72
13. Section Three: Facing the Nothingness
14. “And Who Will Remember? And How Shall We Preserve a Memory?”: New Approaches to Exhibits on The Holocaust 88
15. Marek Laub: Negative of a Testimony 110
16. Button-Camera 118
17. Inside That Gray Cloud 130
18. Unsettling Dust 142
19. Section Four: Echoes and Witnesses
20. Reflections on the Holocaust in Jewish Thought 156
21. ‘The Hassidic Underground’ as a Counter Ultra-Orthodox (Haredi) Historiography 164
22. Creating My Memory 182
23. Reflections on Hannah Arendt, Radical Evil and Holocaust Survivors’ Testimonies 188
24. Death of the Witness: Thoughts on what Remains when the Witness Departs 200
25. Section Five: Poetics of Memory and Forgetting
26. The Literary Act as Giving Shape to a Scream: a Transition to Poetics 208
27. A Secret Sealed: Between the Researcher’s Riddle and the Poet’s in Pagis’ Work 214
28. The Role of Memory and Forgetting in the Creative Process 226
29. Remembering and Forgetting in Music Composition 236
30. Amulet for the Widening of the Heart 252
31. Section Six: Representation and Responsibility
32. Four Views: Members of the Third Generation Reflect on the Holocaust in 2000s Cinema 268
33. Arnon Goldfinger’s The Flat (2011): Ethics and Aesthetics in Third Generation Holocaust Cinema 284
34. Cine-Memory: The Representation of Women’s Sexualized Trauma in Israeli Holocaust-Related Narrative Films 294
35. Survivors 306
36. Ethics of Documentation: Attentiveness as Responsibility and Grace 316
37. Section Seven: Hitkansut – Shoah Remembrance Ritual
38. Creating Space Within Time: An Invitation to Ritual 330
39. The Responsibility to Remember – Remember Responsibly: Hitkansut, A Ritual Gathering for Yom HaShoah 349
40. A Note about Adapting Hitkansut to English 360
41. Acknowledgements 363
42. Contributors 367