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Introduction: History, Manuscripts, Making

  • Johannes Junge Ruhland
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Abstract

This chapter introduces the volume by presenting key concepts and outlining contributions. Starting from the observation that various features of medieval manuscripts give material shape to the images of history with which manuscript makers worked, it explores the interrelation of concepts, medium, and practices in manuscripts dealing with history. In addition to being informed by ideas about history, manuscripts could serve to form and modify such ideas by drawing on the practices and conventions of making and using manuscripts of the milieus that produced and held them. With examples from Peter of Poitiers’ Compendium historiae in genealogia Christi and the Grandes chroniques de France, it makes the case for the centrality of the manuscript medium and the makers of manuscripts in bringing into shape ideas about time, history, and meaning.

Abstract

This chapter introduces the volume by presenting key concepts and outlining contributions. Starting from the observation that various features of medieval manuscripts give material shape to the images of history with which manuscript makers worked, it explores the interrelation of concepts, medium, and practices in manuscripts dealing with history. In addition to being informed by ideas about history, manuscripts could serve to form and modify such ideas by drawing on the practices and conventions of making and using manuscripts of the milieus that produced and held them. With examples from Peter of Poitiers’ Compendium historiae in genealogia Christi and the Grandes chroniques de France, it makes the case for the centrality of the manuscript medium and the makers of manuscripts in bringing into shape ideas about time, history, and meaning.

Heruntergeladen am 8.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783111557007-001/html
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