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Seven-branched Candelabra in Medieval England

Gathering Evidence
  • Tobias J. Bidlingmaier and Andrea Worm
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Abstract

Even though no seven-branched candelabra have survived in England, documentary sources attest to the existence of such monumental artefacts in some of the most prominent churches and monasteries in England. This chapter collates the records of the lost seven-armed candelabra to provide an overview of their temporal and spatial distribution: hitherto, nineteen such candelabra have been identified in medieval England - that is almost half of all known examples in the entire Latin Medieval West to date, even if in some cases the testimony of the sources remains ambiguous. Although these artefacts perished with time or were destroyed (many during the Reformation or the English Civil War), they once ranked among the finest works of medieval craftsmanship. Many had once been commissioned and donated by members of the high clergy, by rulers such as King Cnut the GreatCnut (the Great), King of England, Denmark and Norway, or by members of the high nobility such as Edward DespenserDespenser, Edward. A series of case studies sheds light on the appearance, pictorial programmes, and spatial contexts as well as on the liturgical and memorial functions of the seven-branched candelabra in WinchesterWinchester (Old MinsterWinchesterOld MinsterWinchesterOld MinsterSeven-branched candelabrum), CanterburyCanterburyCanterburyChrist Church CathedralSeven-branched candelabrum, DurhamDurham, ElyEly, and TewkesburyTewkesbury. This chapter thus adds significantly to our knowledge of medieval church furnishings in England, but it also draws attention to their ekphrastic descriptions, which testify to the high esteem in which these impressive monuments were once held. It also enriches our understanding of medieval and early modern aesthetics.

Abstract

Even though no seven-branched candelabra have survived in England, documentary sources attest to the existence of such monumental artefacts in some of the most prominent churches and monasteries in England. This chapter collates the records of the lost seven-armed candelabra to provide an overview of their temporal and spatial distribution: hitherto, nineteen such candelabra have been identified in medieval England - that is almost half of all known examples in the entire Latin Medieval West to date, even if in some cases the testimony of the sources remains ambiguous. Although these artefacts perished with time or were destroyed (many during the Reformation or the English Civil War), they once ranked among the finest works of medieval craftsmanship. Many had once been commissioned and donated by members of the high clergy, by rulers such as King Cnut the GreatCnut (the Great), King of England, Denmark and Norway, or by members of the high nobility such as Edward DespenserDespenser, Edward. A series of case studies sheds light on the appearance, pictorial programmes, and spatial contexts as well as on the liturgical and memorial functions of the seven-branched candelabra in WinchesterWinchester (Old MinsterWinchesterOld MinsterWinchesterOld MinsterSeven-branched candelabrum), CanterburyCanterburyCanterburyChrist Church CathedralSeven-branched candelabrum, DurhamDurham, ElyEly, and TewkesburyTewkesbury. This chapter thus adds significantly to our knowledge of medieval church furnishings in England, but it also draws attention to their ekphrastic descriptions, which testify to the high esteem in which these impressive monuments were once held. It also enriches our understanding of medieval and early modern aesthetics.

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