Multiple Authorship
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Herausgegeben von:
Stefanie Gropper
, Anna Pawlak , Anja Wolkenhauer und Angelika Zirker -
Übersetzt von:
Alexander Wilson
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Gefördert durch:
Sonderforschungsbereich 1391 Andere Ästh etik
Über dieses Buch
The cover of this book shows a closely-knit community of artists and craftsmen which was portrayed in 1615 by the Augsburg painter Anton Mozart. It is representative of the general aesthetic practice during the pre-modern period of creating artefacts collaboratively – and suggests that such collaboration was the norm rather than the exception. The notion of creativity hence was vastly different from the highly influential narrative of aesthetic autonomy that emerged later.
The present volume is linked to the interdisciplinary work at the Collaborative Research Center 1391 Different Aesthetics and presents a first systematic approach to the complex cultural-historical phenomenon of multiple authorship.
Information zu Autoren / Herausgebern
Fachgebiete
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Frontmatter
I -
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Foreword
V -
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Contents
VII -
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Introduction
IX - I. Multiple Authorship as Reciprocal Creativity
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Multiple Authorship in The Flowing Light of the Godhead?
3 -
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Give and Take
31 - II. Explicit References to Multiple Authorship
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E pluribus unum?
53 -
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Multiple Authorship in 17th-Century German Lyric Poetry - the Example of Constantin Christian Dedekind’s Aelbianische Musen-Lust (1657)
77 -
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Martin Opitz signs a Stammbuch
95 -
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Multiple Authorship and Diachronic Hybridity
121 - III. Multiple Authorship in the Interaction of Production and Perception
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The Torah as Multi-Authorial Literature of Discussion
159 -
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Reflections on the Concept of Authorship in Musicians’ Motets
181 -
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Goltzius and Estius Read Ovid: Pygmalion and Galatea (1593)
199 - IV. Co-Creativity in the Interplay of the Individual and the Collective
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‘Ek segi,’ ‘vér segjum,’ ‘verðr sagt’
229 -
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‘Different from all other Egils sagas’
253 -
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Reproductive Authorship in the Courtly Novel
275 -
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Artwork, Craftwork, Science - and Who Is the Author?
305 -
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Figures and Charts
333
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