Reflections on the Concept of Authorship in Musicians’ Motets

Chapters in this book

1. Frontmatter I
2. Foreword V
3. Contents VII
4. Introduction IX
5. I. Multiple Authorship as Reciprocal Creativity
6. Multiple Authorship in The Flowing Light of the Godhead? 3
7. Give and Take 31
8. II. Explicit References to Multiple Authorship
9. E pluribus unum? 53
10. Multiple Authorship in 17^th-Century German Lyric Poetry - the Example of Constantin Christian Dedekind’s Aelbianische Musen-Lust (1657) 77
11. Martin Opitz signs a Stammbuch 95
12. Multiple Authorship and Diachronic Hybridity 121
13. III. Multiple Authorship in the Interaction of Production and Perception
14. The Torah as Multi-Authorial Literature of Discussion 159
15. Reflections on the Concept of Authorship in Musicians’ Motets 181
16. Goltzius and Estius Read Ovid: Pygmalion and Galatea (1593) 199
17. IV. Co-Creativity in the Interplay of the Individual and the Collective
18. ‘Ek segi,’ ‘vér segjum,’ ‘verðr sagt’ 229
19. ‘Different from all other Egils sagas’ 253
20. Reproductive Authorship in the Courtly Novel 275
21. Artwork, Craftwork, Science - and Who Is the Author? 305
22. Figures and Charts 333