Italian Futurism between Fascism, Modernism and Nazi Germany
-
Monica Cioli
Abstract
The Degenerate Art Exhibition, held in Munich in 1937, has been widely discussed in recent scholarship, and to some extent, the Nazi assault on modern art, including Futurism, has also been addressed. However, little is known about Futurist responses to Nazism. Moreover, the issue of modernist aspects in German Nazism and Italian Fascism requires further discussion. This essay focusses on how Fascist reactionaries sought to implement measures similar to those adopted by Germany during the late 1930s in Italy, and how Italian Futurists sought to defy this development. It also examines the cultural politics of the Third Reich as well as Futurist attitudes towards German anti-Modernism after Hitler’s seizure of power in 1933. I argue that both Fascist Italy and Nazi Germany acknowledged art as a field of political communication.
Abstract
The Degenerate Art Exhibition, held in Munich in 1937, has been widely discussed in recent scholarship, and to some extent, the Nazi assault on modern art, including Futurism, has also been addressed. However, little is known about Futurist responses to Nazism. Moreover, the issue of modernist aspects in German Nazism and Italian Fascism requires further discussion. This essay focusses on how Fascist reactionaries sought to implement measures similar to those adopted by Germany during the late 1930s in Italy, and how Italian Futurists sought to defy this development. It also examines the cultural politics of the Third Reich as well as Futurist attitudes towards German anti-Modernism after Hitler’s seizure of power in 1933. I argue that both Fascist Italy and Nazi Germany acknowledged art as a field of political communication.
Kapitel in diesem Buch
- Frontmatter I
- Table of Contents V
- Editorial IX
-
Section 1: Futurism Studies
- The Futurist Manifestos of Early 1910: Dates and Editions Reconsidered 1
- From Bologna to the World: The International Futurism of Athos Casarini 51
- Parisian Rivalries before the War: Futurism and Cubism as Enemy Brothers (1912–1914) 93
- Futurism in Occupied Fiume, 1919–1920 123
- Italian Futurism between Fascism, Modernism and Nazi Germany 163
- Vasily Kamensky and F. T. Marinetti: Italian Words-in-Freedom and Russian Typographic Visual Poetry 189
- The Scream of the Boor: Bruno Jasieński and the Politics of Art in Polish Futurism 225
- A Rêve onanistique: Futurism and Portuguese National Identity in Raul Leal’s Correspondence with Filippo Tommaso Marinetti 247
- Futurism in Goa: Early Interactions with Marinetti in Portugal’s Colony in India 279
- Out of the Archive: Marinetti in Cambridge (1914) 307
-
Section 2: Obituaries and Anniversaries
- Mariana Aguirre (1977–2022): Obituary 327
- Akademiia Zaumi 339
- The 100th Anniversary of Zenit (1921–2021): Futurism and the Yugoslav Avant-garde 349
-
Section 3: Critical Responses to Exhibitions, Conferences and Publications
- Cesare Andreoni (1903–1961), a Futurist in Milan: A Study Day Promoted by the Archivio Cesare Andreoni in Milan 359
- Aroldo Bonzagni and His (almost) Futurist Epoch 367
- Italian Futurism in the Gianni Mattioli Collection Presented in Russia (2021) 375
- Depero New Depero: Rovereto Presents the Artist and His Reception after 1960 385
- The Futurist Novel before and After the First World War 399
- Paolo Buzzi and the Futurist chiaro di luna 405
- Gian Pietro Lucini in Context: Futurism and the Pursuit of a New ‘Avant-garde’ 413
- Fortunato Depero’s ‘Bolted Book’ 419
- Visualizing the Invisible: Photography and Futurist Art 427
- The Permanent Revolution of Fascist Art 433
- Space, Geography and Centre-Periphery Relations: New Perspectives on Ultraism and Estridentism, 1918–1927 439
- Ilya Zdanevich (Iliazd): Ambassador of Georgian Futurism 445
-
Section 4: Bibliography
- A Bibliography of Publications on Futurism, 2019–2022 465
-
Section 5: Back Matter
- List of Illustrations and Provenance Descriptions 493
- Notes on Contributors 501
- Name Index 509
- Subject Index 541
- Geographical Index 571
Kapitel in diesem Buch
- Frontmatter I
- Table of Contents V
- Editorial IX
-
Section 1: Futurism Studies
- The Futurist Manifestos of Early 1910: Dates and Editions Reconsidered 1
- From Bologna to the World: The International Futurism of Athos Casarini 51
- Parisian Rivalries before the War: Futurism and Cubism as Enemy Brothers (1912–1914) 93
- Futurism in Occupied Fiume, 1919–1920 123
- Italian Futurism between Fascism, Modernism and Nazi Germany 163
- Vasily Kamensky and F. T. Marinetti: Italian Words-in-Freedom and Russian Typographic Visual Poetry 189
- The Scream of the Boor: Bruno Jasieński and the Politics of Art in Polish Futurism 225
- A Rêve onanistique: Futurism and Portuguese National Identity in Raul Leal’s Correspondence with Filippo Tommaso Marinetti 247
- Futurism in Goa: Early Interactions with Marinetti in Portugal’s Colony in India 279
- Out of the Archive: Marinetti in Cambridge (1914) 307
-
Section 2: Obituaries and Anniversaries
- Mariana Aguirre (1977–2022): Obituary 327
- Akademiia Zaumi 339
- The 100th Anniversary of Zenit (1921–2021): Futurism and the Yugoslav Avant-garde 349
-
Section 3: Critical Responses to Exhibitions, Conferences and Publications
- Cesare Andreoni (1903–1961), a Futurist in Milan: A Study Day Promoted by the Archivio Cesare Andreoni in Milan 359
- Aroldo Bonzagni and His (almost) Futurist Epoch 367
- Italian Futurism in the Gianni Mattioli Collection Presented in Russia (2021) 375
- Depero New Depero: Rovereto Presents the Artist and His Reception after 1960 385
- The Futurist Novel before and After the First World War 399
- Paolo Buzzi and the Futurist chiaro di luna 405
- Gian Pietro Lucini in Context: Futurism and the Pursuit of a New ‘Avant-garde’ 413
- Fortunato Depero’s ‘Bolted Book’ 419
- Visualizing the Invisible: Photography and Futurist Art 427
- The Permanent Revolution of Fascist Art 433
- Space, Geography and Centre-Periphery Relations: New Perspectives on Ultraism and Estridentism, 1918–1927 439
- Ilya Zdanevich (Iliazd): Ambassador of Georgian Futurism 445
-
Section 4: Bibliography
- A Bibliography of Publications on Futurism, 2019–2022 465
-
Section 5: Back Matter
- List of Illustrations and Provenance Descriptions 493
- Notes on Contributors 501
- Name Index 509
- Subject Index 541
- Geographical Index 571
