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Encyclopedia and dictionaries in premodern and early modern Japan: Chinese heritage and the local reordering of knowledge

  • Matthias Hayek
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Abstract

The Wakan sansai zue 和漢三才図会(Illustrated Compendium of the Three powers of Japan and China), is an illustrated book by Terajima Ryōan 寺 島良安, printed and published in Japan around 1715. Divided in three broad parts (or “powers”) of Heaven, Earth and Humanity, it belongs to a long line of “books ordered by categories” (leishu, Jp. ruisho 類書) a genre of reference books originating from China, often translated as “encyclopedias”. Although Ryōan’s work does share similarities and a common framework for organizing knowledge with Chinese and Japanese precedents, it also introduces significant changes that makes it quite unique in its genre. In this chapter, I will try to underline Wakan sansai zue’s originality as a product of a long history of adaptation of Chinese categories to local (Japanese) realities, that came to fruition within a particular context that saw the rise of commercial publishing.

Abstract

The Wakan sansai zue 和漢三才図会(Illustrated Compendium of the Three powers of Japan and China), is an illustrated book by Terajima Ryōan 寺 島良安, printed and published in Japan around 1715. Divided in three broad parts (or “powers”) of Heaven, Earth and Humanity, it belongs to a long line of “books ordered by categories” (leishu, Jp. ruisho 類書) a genre of reference books originating from China, often translated as “encyclopedias”. Although Ryōan’s work does share similarities and a common framework for organizing knowledge with Chinese and Japanese precedents, it also introduces significant changes that makes it quite unique in its genre. In this chapter, I will try to underline Wakan sansai zue’s originality as a product of a long history of adaptation of Chinese categories to local (Japanese) realities, that came to fruition within a particular context that saw the rise of commercial publishing.

Kapitel in diesem Buch

  1. Frontmatter I
  2. Preface and acknowledgements V
  3. Contents VII
  4. Introduction: Regionally specified knowledge compendia between encyclopedia and chorography 1
  5. I Universal history, encyclopedia, and chorography: Early modern practices and forms of knowledge compilation
  6. The local, the regional, and the universal in knowledge compilations: Observations on the Codex Aldenburgensis 41
  7. Encyclopedia and dictionaries in premodern and early modern Japan: Chinese heritage and the local reordering of knowledge 95
  8. Imago et descriptio: Narrating Sicily in the modern period 147
  9. II Creating and organizing New Spanish knowledge: Early colonial compendia and “cultural encyclopedias”
  10. Dreams and the sacred thresholds of P’urhépecha power in the Relación de Michoacán 175
  11. Constructing a native heritage in New Spain? Bernardino de Sahagún’s Florentine Codex (1577) as a “cultural encyclopedia” 209
  12. Order and organization of knowledge on the New World in José de Acosta’s Historia natural y moral de las Indias (1590) 323
  13. The problem solver: Colonial knowledge, authority, and the compilation of natural marvels in Juan de Cárdenas’s Problemas y secretos (1591) 339
  14. III Writing history and depicting knowledge: Compendia and “cultural encyclopedias” from the seventeenth to the nineteenth centuries
  15. Mastering the chaos of cross-cultural encounter in Andrés Pérez de Ribas’s Historia de los triumphos de nuestra santa fee (1645) 363
  16. Jesuit historiography and the making of the Kingdom of Quito: Juan de Velasco’s Historia del Reino de Quito (1789) 399
  17. A mid-nineteenth-century ethnographic atlas of the Tibetan world: The British Library’s Wise Collection 423
  18. Notes on the contributors 445
Heruntergeladen am 18.10.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783110748017-003/html
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