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Imago et descriptio: Narrating Sicily in the modern period

  • Valeria Manfrè
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Between Encyclopedia and Chorography
This chapter is in the book Between Encyclopedia and Chorography

Abstract

During the early modern age, the predominantly graphic language of manuscript atlases of the kingdom of Sicily was increasingly accompanied by the narrative language of chorographic description. This chapter looks at the chorographic descriptions that accompany the atlases of Tiburzio Spannocchi (1596), Camillo Camilliani (1584), Francesco Negro, Carlo Maria Ventimiglia Ruiz (1640) and Gabriele Merelli (1677), and the intricate relationship between city and island that is set up by highlighting the urbs against the background of the island, using regional and peninsular historiography (in particular, Tommaso Fazello’s work of 1558) to evoke and portray its history and monuments, and permeating the descriptions with the authors’ first-hand visual experience of the territory.

Abstract

During the early modern age, the predominantly graphic language of manuscript atlases of the kingdom of Sicily was increasingly accompanied by the narrative language of chorographic description. This chapter looks at the chorographic descriptions that accompany the atlases of Tiburzio Spannocchi (1596), Camillo Camilliani (1584), Francesco Negro, Carlo Maria Ventimiglia Ruiz (1640) and Gabriele Merelli (1677), and the intricate relationship between city and island that is set up by highlighting the urbs against the background of the island, using regional and peninsular historiography (in particular, Tommaso Fazello’s work of 1558) to evoke and portray its history and monuments, and permeating the descriptions with the authors’ first-hand visual experience of the territory.

Chapters in this book

  1. Frontmatter I
  2. Preface and acknowledgements V
  3. Contents VII
  4. Introduction: Regionally specified knowledge compendia between encyclopedia and chorography 1
  5. I Universal history, encyclopedia, and chorography: Early modern practices and forms of knowledge compilation
  6. The local, the regional, and the universal in knowledge compilations: Observations on the Codex Aldenburgensis 41
  7. Encyclopedia and dictionaries in premodern and early modern Japan: Chinese heritage and the local reordering of knowledge 95
  8. Imago et descriptio: Narrating Sicily in the modern period 147
  9. II Creating and organizing New Spanish knowledge: Early colonial compendia and “cultural encyclopedias”
  10. Dreams and the sacred thresholds of P’urhépecha power in the Relación de Michoacán 175
  11. Constructing a native heritage in New Spain? Bernardino de Sahagún’s Florentine Codex (1577) as a “cultural encyclopedia” 209
  12. Order and organization of knowledge on the New World in José de Acosta’s Historia natural y moral de las Indias (1590) 323
  13. The problem solver: Colonial knowledge, authority, and the compilation of natural marvels in Juan de Cárdenas’s Problemas y secretos (1591) 339
  14. III Writing history and depicting knowledge: Compendia and “cultural encyclopedias” from the seventeenth to the nineteenth centuries
  15. Mastering the chaos of cross-cultural encounter in Andrés Pérez de Ribas’s Historia de los triumphos de nuestra santa fee (1645) 363
  16. Jesuit historiography and the making of the Kingdom of Quito: Juan de Velasco’s Historia del Reino de Quito (1789) 399
  17. A mid-nineteenth-century ethnographic atlas of the Tibetan world: The British Library’s Wise Collection 423
  18. Notes on the contributors 445
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