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Historical Horizons: The Historical Novel and Transnational Memory

  • Lukas Lammers
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The Transnational in Literary Studies
This chapter is in the book The Transnational in Literary Studies

Abstract

The writing of history, whether academic or fictional, has long been a key concern of postcolonial studies. However, discussions of postcolonial historical fiction have largely reaffirmed the traditional view that the historical novel is central to imagining a national community. Focusing on a historical period that is commonly associated with Eurocentric and decidedly nationalist narratives - World War II - this chapter aims to show that the term ‘transnationalism’ helps throw into relief a spectrum of recent literary responses to a historical situation which has pushed nationalist identifications to extremes. It explores why World War II has become such an important nexus for rethinking the relationship between ‘centre’ and ‘periphery’ in recent anglophone writing. In this context, the term ‘horizon’ is introduced to highlight how postcolonial historical novels recalibrate nationalist narratives of the war and how they draw attention to the use and construction of transnationally shared historical memory.

Abstract

The writing of history, whether academic or fictional, has long been a key concern of postcolonial studies. However, discussions of postcolonial historical fiction have largely reaffirmed the traditional view that the historical novel is central to imagining a national community. Focusing on a historical period that is commonly associated with Eurocentric and decidedly nationalist narratives - World War II - this chapter aims to show that the term ‘transnationalism’ helps throw into relief a spectrum of recent literary responses to a historical situation which has pushed nationalist identifications to extremes. It explores why World War II has become such an important nexus for rethinking the relationship between ‘centre’ and ‘periphery’ in recent anglophone writing. In this context, the term ‘horizon’ is introduced to highlight how postcolonial historical novels recalibrate nationalist narratives of the war and how they draw attention to the use and construction of transnationally shared historical memory.

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