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24 Charlotte Smith, Desmond (1792)

  • Jo-Ellen DeLucia
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Handbook of the British Novel in the Long Eighteenth Century
Ein Kapitel aus dem Buch Handbook of the British Novel in the Long Eighteenth Century

Abstract

Charlotte Smith (1749-1806) was one of the most prolific writers of the late eighteenth century. Desmond (1792), published at the height of the British debate over the French Revolution, marked a turning point in Smith’s career as a novelist. In it, she abandoned the sentimental heroines and gothic tropes of her earlier fictions for a male protagonist, who engaged directly in political debate, defending Thomas Paine’s The Rights of Man and the actions of the French Revolutionaries and critiquing Edmund Burke and the conservative British press. Desmond mixes descriptions of political injustice with accounts of its protagonist’s passion for the married Geraldine Verney. The epistolary form of the novel fosters a complex dialogue between Desmond, Geraldine, and other correspondents on political and domestic tyranny. Because of this, Smith’s novel has been central to the work of feminist critics interested in exploring women’s political alienation. Widely understood as troubling dominant narratives of the novel, which see the rise of the genre as coterminous with the development of modern nations, Desmond also suggests alternative cosmopolitan and transnational trajectories for the form.

Abstract

Charlotte Smith (1749-1806) was one of the most prolific writers of the late eighteenth century. Desmond (1792), published at the height of the British debate over the French Revolution, marked a turning point in Smith’s career as a novelist. In it, she abandoned the sentimental heroines and gothic tropes of her earlier fictions for a male protagonist, who engaged directly in political debate, defending Thomas Paine’s The Rights of Man and the actions of the French Revolutionaries and critiquing Edmund Burke and the conservative British press. Desmond mixes descriptions of political injustice with accounts of its protagonist’s passion for the married Geraldine Verney. The epistolary form of the novel fosters a complex dialogue between Desmond, Geraldine, and other correspondents on political and domestic tyranny. Because of this, Smith’s novel has been central to the work of feminist critics interested in exploring women’s political alienation. Widely understood as troubling dominant narratives of the novel, which see the rise of the genre as coterminous with the development of modern nations, Desmond also suggests alternative cosmopolitan and transnational trajectories for the form.

Kapitel in diesem Buch

  1. Frontmatter I
  2. Editors’ Preface V
  3. Contents VII
  4. Introduction 1
  5. Part I: Systematic Questions
  6. 1 The Novel and Liberty: Individual Freedom and Civic Order 21
  7. 2 The Novel and Sense(s): Reason, Sentiment, and Subjectivity 41
  8. 3 The Novel and Intimacy: Gender, Sexuality, and Queer Readings 65
  9. 4 The Novel and Cultural Encounters: Colonialism, Cosmopolitanism, and the Other 85
  10. 5 The Novel and the Literary Marketplace: Print Culture, Popular Reading, and an Emerging British Canon 107
  11. 6 The Novel and the Environment: Nature, Cultivation, and Alien Ecologies 123
  12. Part II: Close Readings
  13. 7 Aphra Behn, Oroonoko, or The Royal Slave (1688) 141
  14. 8 Daniel Defoe, Robinson Crusoe Trilogy (1719‒1720) 157
  15. 9 Jonathan Swift, Gulliver’s Travels (1726) 175
  16. 10 Samuel Richardson, Clarissa, or The History of a Young Lady (1747–1748) 193
  17. 11 Henry Fielding, The History of Tom Jones, A Foundling (1749) 211
  18. 12 Eliza Haywood, The History of Miss Betsy Thoughtless (1751) 229
  19. 13 Robert Paltock, The Life and Adventures of Peter Wilkins (1751) 243
  20. 14 Charlotte Lennox, The Female Quixote (1752) 259
  21. 15 Samuel Johnson, The History of Rasselas, Prince of Abissinia (1759) 279
  22. 16 Sarah Scott, Millenium Hall (1762) 295
  23. 17 Laurence Sterne, The Life and Opinions of Tristram Shandy, Gentleman (1759–1767) 311
  24. 18 Frances Brooke, The History of Emily Montague (1769) 327
  25. 19 Henry Mackenzie, The Man of Feeling (1771) 347
  26. 20 Tobias Smollett, The Expedition of Humphry Clinker (1771) 365
  27. 21 Frances Burney, Evelina (1778) 381
  28. 22 Phebe Gibbes, Hartly House, Calcutta (1789) 399
  29. 23 Ann Radcliffe, The Romance of the Forest (1791) 417
  30. 24 Charlotte Smith, Desmond (1792) 435
  31. 25 Mary Wollstonecraft, Maria: or, The Wrongs of Woman (1798) 449
  32. 26 William Earle, Obi; or The History of Three-Fingered Jack (1800) 467
  33. 27 Anonymous, The Woman of Colour; A Tale (1808) 483
  34. 28 Maria Edgeworth, Ormond (1817) 499
  35. 29 Sir Walter Scott, Rob Roy (1817; revised 1829–1830) 519
  36. 30 Mary Shelley, Frankenstein, or The Modern Prometheus (1818) 539
  37. 31 Jane Austen, Persuasion (1818) 557
  38. Index of Names 575
  39. Index of Subjects 583
  40. List of Contributors 595
https://doi.org/10.1515/9783110650440-025

Kapitel in diesem Buch

  1. Frontmatter I
  2. Editors’ Preface V
  3. Contents VII
  4. Introduction 1
  5. Part I: Systematic Questions
  6. 1 The Novel and Liberty: Individual Freedom and Civic Order 21
  7. 2 The Novel and Sense(s): Reason, Sentiment, and Subjectivity 41
  8. 3 The Novel and Intimacy: Gender, Sexuality, and Queer Readings 65
  9. 4 The Novel and Cultural Encounters: Colonialism, Cosmopolitanism, and the Other 85
  10. 5 The Novel and the Literary Marketplace: Print Culture, Popular Reading, and an Emerging British Canon 107
  11. 6 The Novel and the Environment: Nature, Cultivation, and Alien Ecologies 123
  12. Part II: Close Readings
  13. 7 Aphra Behn, Oroonoko, or The Royal Slave (1688) 141
  14. 8 Daniel Defoe, Robinson Crusoe Trilogy (1719‒1720) 157
  15. 9 Jonathan Swift, Gulliver’s Travels (1726) 175
  16. 10 Samuel Richardson, Clarissa, or The History of a Young Lady (1747–1748) 193
  17. 11 Henry Fielding, The History of Tom Jones, A Foundling (1749) 211
  18. 12 Eliza Haywood, The History of Miss Betsy Thoughtless (1751) 229
  19. 13 Robert Paltock, The Life and Adventures of Peter Wilkins (1751) 243
  20. 14 Charlotte Lennox, The Female Quixote (1752) 259
  21. 15 Samuel Johnson, The History of Rasselas, Prince of Abissinia (1759) 279
  22. 16 Sarah Scott, Millenium Hall (1762) 295
  23. 17 Laurence Sterne, The Life and Opinions of Tristram Shandy, Gentleman (1759–1767) 311
  24. 18 Frances Brooke, The History of Emily Montague (1769) 327
  25. 19 Henry Mackenzie, The Man of Feeling (1771) 347
  26. 20 Tobias Smollett, The Expedition of Humphry Clinker (1771) 365
  27. 21 Frances Burney, Evelina (1778) 381
  28. 22 Phebe Gibbes, Hartly House, Calcutta (1789) 399
  29. 23 Ann Radcliffe, The Romance of the Forest (1791) 417
  30. 24 Charlotte Smith, Desmond (1792) 435
  31. 25 Mary Wollstonecraft, Maria: or, The Wrongs of Woman (1798) 449
  32. 26 William Earle, Obi; or The History of Three-Fingered Jack (1800) 467
  33. 27 Anonymous, The Woman of Colour; A Tale (1808) 483
  34. 28 Maria Edgeworth, Ormond (1817) 499
  35. 29 Sir Walter Scott, Rob Roy (1817; revised 1829–1830) 519
  36. 30 Mary Shelley, Frankenstein, or The Modern Prometheus (1818) 539
  37. 31 Jane Austen, Persuasion (1818) 557
  38. Index of Names 575
  39. Index of Subjects 583
  40. List of Contributors 595
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