7. Empire – Economy – Materiality
Abstract
The rise of the novel during the eighteenth century is notably connected with the birth of a new socio-economic system. Extending that idea, this chapter links the formation of the novel as a dominant genre during the nineteenth century to the further development of capitalism, colonialism, and their concomitant social and material realities. Postcolonial theory, economic criticism, and material culture studies are introduced as central approaches to the novel in the Victorian era that bring to the fore new perspectives or revive neglected works. This chapter covers empire writing from the domestic novels of the first half of the century to the sensation fiction of the second half. Additionally, it concentrates largely on economic issues in Condition-of-England novels, such as the struggle of the working classes, the urban poor, and capital finance. A third section focusses on the representation of commodity culture and the profusion of things in the Victorian novel as related to the conjunction of capitalism and imperialism. In closing, the chapter contemplates the status of the nineteenth-century novel as a veritable commodity and thus as a symbol for the economic expansion of Britain during the Second Empire.
Abstract
The rise of the novel during the eighteenth century is notably connected with the birth of a new socio-economic system. Extending that idea, this chapter links the formation of the novel as a dominant genre during the nineteenth century to the further development of capitalism, colonialism, and their concomitant social and material realities. Postcolonial theory, economic criticism, and material culture studies are introduced as central approaches to the novel in the Victorian era that bring to the fore new perspectives or revive neglected works. This chapter covers empire writing from the domestic novels of the first half of the century to the sensation fiction of the second half. Additionally, it concentrates largely on economic issues in Condition-of-England novels, such as the struggle of the working classes, the urban poor, and capital finance. A third section focusses on the representation of commodity culture and the profusion of things in the Victorian novel as related to the conjunction of capitalism and imperialism. In closing, the chapter contemplates the status of the nineteenth-century novel as a veritable commodity and thus as a symbol for the economic expansion of Britain during the Second Empire.
Kapitel in diesem Buch
- Frontmatter I
- Editors’ Preface V
- Contents VII
- 0. Metamorphoses in English Culture and the Novel, 1830–1900: An Introduction 1
-
Part I: Systematic Questions
- 1. Science and the Victorian Novel 23
- 2. Remediating Nineteenth-Century Narrative 51
- 3. God on the Wane? The Victorian Novel and Religion 71
- 4. Genres and Poetology: The Novel and the Way towards Aesthetic Self-Consciousness 87
- 5. The Art of Novel Writing: Victorian Theories 107
- 6. Victorian Gender Relations and the Novel 121
- 7. Empire – Economy – Materiality 149
-
Part II: Close Readings
- 8. Thomas Carlyle, Sartor Resartus (1833–1834) 173
- 9. Benjamin Disraeli, Sybil, or The Two Nations (1845) 189
- 10. Charlotte Brontë, Jane Eyre (1847) 205
- 11. Emily Brontë, Wuthering Heights (1847) 221
- 12. Anne Brontë, Agnes Grey (1847) 237
- 13. William Makepeace Thackeray, Vanity Fair (1847–1848) 253
- 14. Elizabeth Cleghorn Gaskell, Mary Barton (1848) 273
- 15. Charles Kingsley, Yeast: A Problem (1851) 289
- 16. Charles Dickens, Bleak House (1853) 305
- 17. Anthony Trollope, Doctor Thorne (1858) 321
- 18. Mary Elizabeth Braddon, Lady Audley’s Secret (1862) 337
- 19. Lewis Carroll, Alice’s Adventures in Wonderland (1865) 351
- 20. Wilkie Collins, The Moonstone (1868) 367
- 21. Edward Bulwer-Lytton, The Coming Race (1871) 381
- 22. George Eliot, Middlemarch (1871–1872; 1874) 397
- 23. George Meredith, The Egoist (1879) 415
- 24. Walter Pater, Marius the Epicurean (1885) 431
- 25. Robert Louis Stevenson, Strange Case of Dr. Jekyll and Mr. Hyde (1886) 445
- 26. Oscar Wilde, The Picture of Dorian Gray (1891) 461
- 27. Sarah Grand, The Heavenly Twins (1893) 479
- 28. George Moore, Esther Waters (1894) 495
- 29. Mona Caird, The Daughters of Danaus (1894) 511
- 30. Thomas Hardy, Jude the Obscure (1895) 529
- 31. H. G. Wells, The Time Machine (1895) 547
- 32. Bram Stoker, Dracula (1897) 565
- 33. Henry James, What Maisie Knew (1897) 581
- 34. Joseph Conrad, Lord Jim (1900) 597
- 35. Rudyard Kipling, Kim (1900–1901) 613
- 36. Samuel Butler, The Way of All Flesh (1903) 629
- Index of Subjects 645
- Index of Names 659
- List of Contributors 675
Kapitel in diesem Buch
- Frontmatter I
- Editors’ Preface V
- Contents VII
- 0. Metamorphoses in English Culture and the Novel, 1830–1900: An Introduction 1
-
Part I: Systematic Questions
- 1. Science and the Victorian Novel 23
- 2. Remediating Nineteenth-Century Narrative 51
- 3. God on the Wane? The Victorian Novel and Religion 71
- 4. Genres and Poetology: The Novel and the Way towards Aesthetic Self-Consciousness 87
- 5. The Art of Novel Writing: Victorian Theories 107
- 6. Victorian Gender Relations and the Novel 121
- 7. Empire – Economy – Materiality 149
-
Part II: Close Readings
- 8. Thomas Carlyle, Sartor Resartus (1833–1834) 173
- 9. Benjamin Disraeli, Sybil, or The Two Nations (1845) 189
- 10. Charlotte Brontë, Jane Eyre (1847) 205
- 11. Emily Brontë, Wuthering Heights (1847) 221
- 12. Anne Brontë, Agnes Grey (1847) 237
- 13. William Makepeace Thackeray, Vanity Fair (1847–1848) 253
- 14. Elizabeth Cleghorn Gaskell, Mary Barton (1848) 273
- 15. Charles Kingsley, Yeast: A Problem (1851) 289
- 16. Charles Dickens, Bleak House (1853) 305
- 17. Anthony Trollope, Doctor Thorne (1858) 321
- 18. Mary Elizabeth Braddon, Lady Audley’s Secret (1862) 337
- 19. Lewis Carroll, Alice’s Adventures in Wonderland (1865) 351
- 20. Wilkie Collins, The Moonstone (1868) 367
- 21. Edward Bulwer-Lytton, The Coming Race (1871) 381
- 22. George Eliot, Middlemarch (1871–1872; 1874) 397
- 23. George Meredith, The Egoist (1879) 415
- 24. Walter Pater, Marius the Epicurean (1885) 431
- 25. Robert Louis Stevenson, Strange Case of Dr. Jekyll and Mr. Hyde (1886) 445
- 26. Oscar Wilde, The Picture of Dorian Gray (1891) 461
- 27. Sarah Grand, The Heavenly Twins (1893) 479
- 28. George Moore, Esther Waters (1894) 495
- 29. Mona Caird, The Daughters of Danaus (1894) 511
- 30. Thomas Hardy, Jude the Obscure (1895) 529
- 31. H. G. Wells, The Time Machine (1895) 547
- 32. Bram Stoker, Dracula (1897) 565
- 33. Henry James, What Maisie Knew (1897) 581
- 34. Joseph Conrad, Lord Jim (1900) 597
- 35. Rudyard Kipling, Kim (1900–1901) 613
- 36. Samuel Butler, The Way of All Flesh (1903) 629
- Index of Subjects 645
- Index of Names 659
- List of Contributors 675