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7 Early Manuscript Scores and Parts
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Illustrations vii
- List of Tables viii
- Preface x
- Acknowledgements xv
- Glossary xvii
- Abbreviations xviii
- Plot Summary xx
- Introduction 1
-
Part I Mozart’s Compositional Methods: A Study of the Autograph Score
- 1 The Autograph 10
- 2 Singers and their Arias 42
- 3 Refining the Musical Text 57
-
Part II The ‘School for Lovers’: An Enigma Revealed?
- 4 Casting the Roles 80
- 5 Lovers Crossed or Uncrossed? 99
-
Part III Mozart’s Revisions for Vienna and Prague
- 6 The Vienna Court Theatre Score 152
- 7 Early Manuscript Scores and Parts 165
- 8 Mozart’s Revised Vienna Version 176
- 9 Early Italian Language Performances 183
- Conclusion 191
- Appendix 1 The First Phase of Copying 195
- 2 Hypothetical Recitative Sequences 196
- 3 The Bifoliation Numbers of Act II 199
- 4 The Two Sisters Problem 202
- 5 Page- and Line-break Analysis 208
- 6 Corrections to Guardasoni’s 1791 Prague Libretto 213
- 7 Small Musical Changes (and Non-changes) in C1 216
- 8 Layer of Revisions in V1 for an Unknown Italian Version 217
- Notes 219
- Bibliography 231
- Index 237
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Illustrations vii
- List of Tables viii
- Preface x
- Acknowledgements xv
- Glossary xvii
- Abbreviations xviii
- Plot Summary xx
- Introduction 1
-
Part I Mozart’s Compositional Methods: A Study of the Autograph Score
- 1 The Autograph 10
- 2 Singers and their Arias 42
- 3 Refining the Musical Text 57
-
Part II The ‘School for Lovers’: An Enigma Revealed?
- 4 Casting the Roles 80
- 5 Lovers Crossed or Uncrossed? 99
-
Part III Mozart’s Revisions for Vienna and Prague
- 6 The Vienna Court Theatre Score 152
- 7 Early Manuscript Scores and Parts 165
- 8 Mozart’s Revised Vienna Version 176
- 9 Early Italian Language Performances 183
- Conclusion 191
- Appendix 1 The First Phase of Copying 195
- 2 Hypothetical Recitative Sequences 196
- 3 The Bifoliation Numbers of Act II 199
- 4 The Two Sisters Problem 202
- 5 Page- and Line-break Analysis 208
- 6 Corrections to Guardasoni’s 1791 Prague Libretto 213
- 7 Small Musical Changes (and Non-changes) in C1 216
- 8 Layer of Revisions in V1 for an Unknown Italian Version 217
- Notes 219
- Bibliography 231
- Index 237