Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Illustrations vii
4. List of Tables viii
5. Preface x
6. Acknowledgements xv
7. Glossary xvii
8. Abbreviations xviii
9. Plot Summary xx
10. Introduction 1
11. Part I Mozart’s Compositional Methods: A Study of the Autograph Score
12. 1 The Autograph 10
13. 2 Singers and their Arias 42
14. 3 Refining the Musical Text 57
15. Part II The ‘School for Lovers’: An Enigma Revealed?
16. 4 Casting the Roles 80
17. 5 Lovers Crossed or Uncrossed? 99
18. Part III Mozart’s Revisions for Vienna and Prague
19. 6 The Vienna Court Theatre Score 152
20. 7 Early Manuscript Scores and Parts 165
21. 8 Mozart’s Revised Vienna Version 176
22. 9 Early Italian Language Performances 183
23. Conclusion 191
24. Appendix 1 The First Phase of Copying 195
25. 2 Hypothetical Recitative Sequences 196
26. 3 The Bifoliation Numbers of Act II 199
27. 4 The Two Sisters Problem 202
28. 5 Page- and Line-break Analysis 208
29. 6 Corrections to Guardasoni’s 1791 Prague Libretto 213
30. 7 Small Musical Changes (and Non-changes) in C1 216
31. 8 Layer of Revisions in V1 for an Unknown Italian Version 217
32. Notes 219
33. Bibliography 231
34. Index 237