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5: After the GDR’s “Musical Niche Society”? Popular Music in the Literature of Thomas Brussig
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Andrew Wright Hurley
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1: Preludes and Returns: Popular Music, the ’68 Generation, and the Literarization of the Jukebox 21
- 2: Enter the Double Agent: The German Popular Musician as Novelist 49
- 3: Techno-Lit: Electronica and Its Impacts on Fiction 73
- 4: Analogue is Better: Rock- and Pop-centric Literature 119
- 5: After the GDR’s “Musical Niche Society”? Popular Music in the Literature of Thomas Brussig 159
- 6: The Gendering of Popular Music in the Novels of Karen Duve and Kerstin Grether 193
- Conclusion: Out of the Groove? 228
- Bibliography 235
- Index 263
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1: Preludes and Returns: Popular Music, the ’68 Generation, and the Literarization of the Jukebox 21
- 2: Enter the Double Agent: The German Popular Musician as Novelist 49
- 3: Techno-Lit: Electronica and Its Impacts on Fiction 73
- 4: Analogue is Better: Rock- and Pop-centric Literature 119
- 5: After the GDR’s “Musical Niche Society”? Popular Music in the Literature of Thomas Brussig 159
- 6: The Gendering of Popular Music in the Novels of Karen Duve and Kerstin Grether 193
- Conclusion: Out of the Groove? 228
- Bibliography 235
- Index 263
