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Introduction

  • Andrew Wright Hurley
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Into the Groove
This chapter is in the book Into the Groove
© 2015, Boydell and Brewer

© 2015, Boydell and Brewer

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Introduction 1
  5. 1: Preludes and Returns: Popular Music, the ’68 Generation, and the Literarization of the Jukebox 21
  6. 2: Enter the Double Agent: The German Popular Musician as Novelist 49
  7. 3: Techno-Lit: Electronica and Its Impacts on Fiction 73
  8. 4: Analogue is Better: Rock- and Pop-centric Literature 119
  9. 5: After the GDR’s “Musical Niche Society”? Popular Music in the Literature of Thomas Brussig 159
  10. 6: The Gendering of Popular Music in the Novels of Karen Duve and Kerstin Grether 193
  11. Conclusion: Out of the Groove? 228
  12. Bibliography 235
  13. Index 263
https://doi.org/10.1515/9781782044307-002

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Introduction 1
  5. 1: Preludes and Returns: Popular Music, the ’68 Generation, and the Literarization of the Jukebox 21
  6. 2: Enter the Double Agent: The German Popular Musician as Novelist 49
  7. 3: Techno-Lit: Electronica and Its Impacts on Fiction 73
  8. 4: Analogue is Better: Rock- and Pop-centric Literature 119
  9. 5: After the GDR’s “Musical Niche Society”? Popular Music in the Literature of Thomas Brussig 159
  10. 6: The Gendering of Popular Music in the Novels of Karen Duve and Kerstin Grether 193
  11. Conclusion: Out of the Groove? 228
  12. Bibliography 235
  13. Index 263
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