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Conclusion: Berg’s Wagnerism
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Silvio dos Santos
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Note on Terminology xi
- Introduction 1
-
Part One: Berg’s Ideal Identities
- 1 Between Schoenberg and Wagner 13
- 2 Berg as Wagner: In Pursuit of an Ideal Identity 25
- 3 Refiguring Tristan 43
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Part Two: Personal and Cultural Identities
- 4 The Bild Motif and Lulu’s Identity 79
- 5 Marriage as Prostitution 117
- 6 Masculine, Feminine, and “In-between”: Geschwitz as neue Frau 150
- Conclusion: Berg’s Wagnerism 183
- Notes 187
- Bibliography 207
- Index 221
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Note on Terminology xi
- Introduction 1
-
Part One: Berg’s Ideal Identities
- 1 Between Schoenberg and Wagner 13
- 2 Berg as Wagner: In Pursuit of an Ideal Identity 25
- 3 Refiguring Tristan 43
-
Part Two: Personal and Cultural Identities
- 4 The Bild Motif and Lulu’s Identity 79
- 5 Marriage as Prostitution 117
- 6 Masculine, Feminine, and “In-between”: Geschwitz as neue Frau 150
- Conclusion: Berg’s Wagnerism 183
- Notes 187
- Bibliography 207
- Index 221