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1 Between Schoenberg and Wagner

  • Silvio dos Santos
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Narratives of Identity in Alban Berg's "Lulu"
This chapter is in the book Narratives of Identity in Alban Berg's "Lulu"
© 2014, Boydell and Brewer

© 2014, Boydell and Brewer

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Note on Terminology xi
  5. Introduction 1
  6. Part One: Berg’s Ideal Identities
  7. 1 Between Schoenberg and Wagner 13
  8. 2 Berg as Wagner: In Pursuit of an Ideal Identity 25
  9. 3 Refiguring Tristan 43
  10. Part Two: Personal and Cultural Identities
  11. 4 The Bild Motif and Lulu’s Identity 79
  12. 5 Marriage as Prostitution 117
  13. 6 Masculine, Feminine, and “In-between”: Geschwitz as neue Frau 150
  14. Conclusion: Berg’s Wagnerism 183
  15. Notes 187
  16. Bibliography 207
  17. Index 221
https://doi.org/10.1515/9781580468497-004

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Note on Terminology xi
  5. Introduction 1
  6. Part One: Berg’s Ideal Identities
  7. 1 Between Schoenberg and Wagner 13
  8. 2 Berg as Wagner: In Pursuit of an Ideal Identity 25
  9. 3 Refiguring Tristan 43
  10. Part Two: Personal and Cultural Identities
  11. 4 The Bild Motif and Lulu’s Identity 79
  12. 5 Marriage as Prostitution 117
  13. 6 Masculine, Feminine, and “In-between”: Geschwitz as neue Frau 150
  14. Conclusion: Berg’s Wagnerism 183
  15. Notes 187
  16. Bibliography 207
  17. Index 221
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